Fotoğrafta, "White Wolf" adlı bir Twitter kullanıcısının, gelecekteki iktidar için beklentilerini listeleyen bir tweet'i görülüyor. Tweet'te, Marlboro Touch Mentol'un satışa çıkarılması, Eurovision'a katılma, yaz saati uygulamasının geri getirilmesi, araba ve bilgisayarlardan alınan vergilerin düşürülmesi ve F*tih Tezcan ile M*lih Gökçek'in vatandaşlıktan çıkarılması gibi istekler yer alıyor. Bu tweet, ironik ve esprili bir şekilde siyasi beklentileri dile getiriyor. İstekler, gerçekçi olmayan, hatta absürt ve komik unsurlar içeriyor. "F*tih Tezcan ve M*lih Gökçek'in vatandaşlıktan çıkarılması" gibi istekler, siyasi ve toplumsal konulardaki eleştirileri veya hayal kırıklıklarını mizah yoluyla dile getiriyor. Tweetin temel amacı, ciddi bir siyasi tartışmayı hafifletmek ve dikkat çekmek.

Görüntü, Twitter'da bir tartışmayı gösteriyor. Bir kullanıcı (@Haber), Diyanet'in yaptığı bir açıklamaya ("Fiyatları tayin eden, darlık ve bolluk veren Allah'tır.") referans vererek bir tweet atmış. Diğer kullanıcı (@ygzdiyolar), @Haber'a yanıt olarak "Ben Allah'ın kaşar peynirini 108 TL yapacağını sanmıyorum" diye yazmış. Bu, Diyanet'in açıklamasının ciddi anlamda fiyatların belirlenmesi konusundaki rolünü eleştiren ve ironik bir şekilde abartı ve absürtlüğe vurgu yapan bir espri. Tweet'in amacı, Diyanet'in fiyatlarla ilgili yaptığı açıklamanın gerçeğe uzak olduğunu, insanların günlük hayatta fiyatların ilahi bir güç tarafından değil, ekonomik ve ticari faktörler tarafından belirlendiğini ima etmek. "Kaşar peynirinin 108 TL'ye çıkacağını Allah'ın tayin edeceğini sanmıyorum" ifadesi, bu ironiyi ve espriyi güçlendiriyor. Kısacası, tweet, Diyanet'in söyleminin, günlük hayatın gerçeklerinden uzak ve anlamsız bir ifade olduğunu anlatıyor.

Resimde, Twitter'da iki farklı kullanıcı arasında geçen bir diyalog yer alıyor. İlk tweet'te Sarıbıyık isimli kullanıcı, eşinin beğenmediği şeylerden bahsediyor. İkinci tweet'te ise Betül isimli kullanıcı, karışık kurabiyelerden hangisini seçeceklerini soruyor. Bu durum, eşin belirli bir şeylerden hoşlanmaması (sevmeme durumu) ile, karışık kurabiyelerden birini seçmek arasında bir bağlantı kurarak mizah üretmeye çalışıyor. "Hanımın sevmediklerini" ifadesiyle, eşinin beğenmediği bir şeyi seçme olasılığını esprili bir şekilde vurgulayan bir durum komedisini ortaya koyuyor. Betül'ün "Karışık çerezin içinden hangisini seçerek yiyosunuz?" sorusu, bu durumdan oluşan beklenmedik bir sonucu ve bu beklentiyi anlatıyor. Özetle, espri, gündelik bir yaşam durumunu, biraz da absürt bir şekilde sunuyor.

The photo shows two boxes of baklava, a traditional Turkish dessert. One box is filled with baklava topped with pistachio, and the other with a similar style, possibly another nut, or a different topping. The boxes are in a household kitchen. The tweet is a humorous statement from Mustafa Sekin. He's saying that he got his mother baklava for Mother's Day, and the joke is that he brought her a very nice present instead of flowers. In Turkish culture, it's common for gifts for Mother's Day to include flowers. The humor lies in the implied contrast between the typical Mother's Day gift (flowers) and the delicious, substantial treat (baklava) he brought instead. The "Evin içinde tabakla iyi ki çiçek almamışsın diye geziniyor" part means "I'm glad you didn't get flowers inside the house with plates; you're going around" – it emphasizes how good the baklava is.

The photo is a tweet. The tweeter, Furkan Aydın, is sharing a humorous observation about university life. The joke lies in the contrast between the professor's seemingly impossible expectation of a fast graduation and the practical reality of still struggling in class even after significant time spent studying. In Turkish: The professor's statement, "even if you tied a donkey to this faculty, it would graduate in 4 years", is hyperbole and sarcasm. It's meant to highlight how effortlessly some students are perceived to progress in the university system. The humor comes from the realization that the "top student" who took another two years to become a faculty member, still isn't able to pass a specific class. It's a witty commentary on academic pressure, student struggles, and the perception of academic prowess. The ending "dersi hâlâ geçememiş" (still couldn't pass the class) is the punchline, making light of the difficulties that even very hard-working students might face.

The image is a tweet (or a similar social media post) about a celebrity, Berrak Tüzünataç, from a Turkish entertainment news account. The tweet is a gossip-based story. It claims that Berrak Tüzünataç, a Turkish celebrity, blocked a student who received a scholarship from her because the student's girlfriend was jealous. The joke, or rather the humor, lies in the portrayal of the situation. It's a typical celebrity gossip story, presented as an "urban legend" (magazin efsanesi), focusing on the drama surrounding the scholarship, the jealous girlfriend, and the ultimate blocking by Berrak Tüzünataç. The humor comes from the melodramatic portrayal of a relatively mundane situation, implying that these "celebrity problems" are more significant or extraordinary than they really are. In short, it's a lighthearted take on a potentially trivial event using familiar celebrity gossip tropes.

The image shows a series of tweets from a Twitter account named "kadirben". The tweets are in Turkish and appear to be expressing anger and frustration. The joke, or rather, the sarcastic and insulting tone, lies in the escalating nature of the complaints and the increasingly derogatory language used to describe the other people mentioned. * **First tweet:** The poster is complaining that their partner (karım) has been abandoned on a social media platform (Twitter, acmış- possibly meaning abandoned or deserted in this context). They are asking others to help find this person, but in a very emotionally charged manner (gördünüz mü yardım edin buluyım - have you seen her? Help me find her). * **Second tweet:** The tweet directs anger toward others, implying that everyone should be responsible for their own followers and not intervene in others' business (Herkes kendi takipçi listesine baksin adi neriman - Everyone should look at their own follower list, Neriman's name). This is a way of shifting the blame and implying others are just as bad as the target. * **Third tweet:** This one takes the insult to a new level. The poster describes those who didn't support them as a "donkey herd" (esek sürüsü kadar). The insult is aimed at the inability of others to find the target person. The tweet goes on to detail the speaker's work and anger at being unable to help (bulamadınız ifayiyede calisiyorum- couldn't find it, I am working at the fire department). The overall joke, if there is one, is about the poster's perceived victimhood and the speaker's aggressive, even childish, manner of expressing that. The insults escalate, portraying a pattern of unreasonable anger rather than a comedic scenario. The tweets are not funny; they are a display of frustration.

The image is a screenshot of a tweet and a pop-up message on a mobile device, likely an iPhone. The tweet from a user named Anıl, using the handle @agresifsevdaa, says "6 years... today we parted ways, deleting memories." This is a dramatic statement about a significant relationship ending. The pop-up message, in Turkish, says that deleting photos from iCloud will delete them from all devices connected to the account. This message is presented as confirmation to actually delete the photos. The joke is the contrast between the user's dramatic, emotional statement about deleting memories of a relationship and the technical, matter-of-fact nature of the pop-up message for deleting photos. It implies that the emotional magnitude of the relationship's end is far greater than the actual act of deleting the photos, even though this is a crucial step of this emotional process. It's a relatable, humorous juxtaposition of a serious situation with a routine action, highlighting the absurdity of sometimes comparing feelings to technical steps.

The image is a tweet. Elif Tütüncü, using the Twitter handle @elftutuncu, is posting about a collaboration between Adidas and Gucci, #adidasxgucci. The tweet itself is a humorous observation, implying that the traditional Turkish shopkeepers (esnaf) of Mahmutpaşa will be around for another 20-30 years. The joke plays on the juxtaposition of the trendiness of the Adidas x Gucci collaboration with the longevity of the "esnaf". The tweet suggests that these old-fashioned, traditional businesses will likely outlast the fleeting trends and short-lived collaborations of modern fashion. The humor comes from the contrast: trendy, limited-edition items versus the enduring nature of a local business.

The image is a screenshot of a Twitter post. The top part of the tweet shows a picture of a person, likely a political figure, with the caption "after party". Below that, there's a news report from a Turkish news outlet ("Haber Report") about Mehmet Özhaseki's question about what will happen after the AK Party leaves. The image, therefore, is a humorous juxtaposition. The joke plays on the phrase "after party" in a sarcastic and possibly critical way. The context suggests a comparison between a celebration and an important political event/transition. The implication is that Özhaseki's question about the AK Party's departure suggests a concern over possible social or political disruption/uncertainty. The implication of the joke is that whatever changes or consequences follow the departure from power are viewed with suspicion. The "after party" comment ironically minimizes the significance of the political transition.

The image is a tweet. A person named Milagros, @drmilagross, posted a humorous statement in Turkish. The joke plays on the idea of someone being overly complex or analytical, in this case, about something simple. The statement, "8 parça tencere setinde 8 tencere olduğunu düşünen erkekler..." translates to: "Men who think there are 8 pots in a set of 8 pots..." The humor comes from the absurdly obvious nature of the statement. A set of eight pots *obviously* contains eight pots. The tweet implies that some men overthink simple things. It's a lighthearted comment about the perceived overthinking or intellectualizing of simple concepts by some men.

The photo shows a street vendor sitting on steps, selling vegetables. A Twitter user (Abdullah) is asking another user (Saklıbey) why the vendor won't give all the vegetables to the customer. The joke is based on the observation of a common phenomenon of street vendors in Turkey (and other countries). The vendor is being a little greedy or stubborn, refusing to sell all the goods at once, and expecting payment for the entire display of products, not just the portion the customer wants. The humor lies in the seemingly petty reason for refusing the customer's request. The implication is that the customer, who wants all the items at once, is likely a rich person, or the whole operation is an unfair deal. In Turkish, the joke could be understood as a lighthearted commentary on the potential stubbornness or shrewdness of street vendors, and the perceived difference in bargaining power between buyers and vendors. The expression "vermiyor" (he/she won't give) emphasizes the vendor's refusal. The question "Sizce neden?" (In your opinion, why?) is meant to be rhetorical and draw the other person into thinking about the reasons.

The image shows a conversation snippet, likely from a messaging app. **Visual:** A picture of food in a pan over a campfire is shown. The food looks like small pieces of meat or perhaps onions, being cooked. **Text:** * **"Hikayene yanıt verdi"**: This translates to "The story replied." It's a common phrase used in messaging, indicating a response. * **"herkes nasibini yer"**: This means "Everyone gets their share/portion." This is a common proverb/saying. * **"coconut mi bu"**: This is a question in Turkish, meaning "Is this coconut?" * **"kuyruk yağı"**: This translates to "tail fat." It refers to a type of rendered animal fat, which may be used in cooking, but is not coconut-based. **Joke Explanation:** The joke plays on the visual of the cooked food in the pan. The question "coconut mi bu" (is this coconut?) is a humorous query about the food. The answer, "kuyruk yağı," (tail fat) implies that the food in the pan is not coconut, but rather a type of fat, which is likely less desirable than coconut. The underlying humor comes from the unexpected contrast between the expectation (coconut) and the reality (tail fat). It's a simple pun on the unrelated concepts of coconut and animal fat. The proverb "herkes nasibini yer" (everyone gets their share) also adds a layer of context, suggesting that the person being replied to is getting their share of...possibly not-so-desirable food.

The image shows a screenshot of a Twitter thread. The first tweet, by a user named @ahhevetben, describes a humorous situation: someone threw a hair-related object (likely a clump of hair) across a room, and the tweeter mistook it for a person. The second tweet, by @cannabiseyes, is a humorous response, implying that the hair was actually hers and she is joking about it. The phrase "saclarima baknnnnnnn" translates to "look at my hair". It's a playful exclamation, likely used to emphasize the humor or the beauty of her hair. The joke is in the contrast between the initial complaint and the ironic response. The initial tweet implies a somewhat absurd incident, while the reply playfully exaggerates the situation in a humorous, self-deprecating way. The added "praying hands" emoji and the repetition of "nnnnnn" further contribute to the fun tone of the message.

The image is a tweet. The user "ulaş" (@roccopijaro) is complaining about a frustrating experience ordering baklava. The joke is in the way the speaker describes the interaction. They ordered 60 Turkish lira worth of *soğuk baklava* (cold baklava), expecting the seller to package and hand it over properly. Instead, the seller simply shoved a piece of baklava directly into the customer's mouth and gave them another piece to hold, then quickly sent them away. The phrase "yolladı awwww çıldıracam şimdi" (he sent me away, I'm going crazy now) expresses the speaker's exasperation and amusement at the unusual and rude service. It's a humorous exaggeration of a poor customer service experience.

The image shows a screenshot of a mobile messaging app conversation, likely a dating app or similar. It's humorous because of the abrupt and inappropriate request in the first message, followed by the increasingly apologetic but ultimately negative response. The joke, in Turkish, plays on the directness and awkwardness of the initial, sexually suggestive request ("Amını yalamamı istermisin?" which translates to "Do you want me to lick your ass?") followed by the person's rejection ("hayır", meaning "no"). The subsequent "Peki?" ("Okay?") and the apology ("Özür dilerim rahatsız ettiğim için", meaning "I apologize for making you uncomfortable") highlight the absurdity of the initial proposition and the user's realization that their request was inappropriate. The humor comes from the contrast between the aggressive, inappropriate nature of the initial question and the subsequent attempts to backpedal or apologize, which makes the whole interaction comical. The time stamps (dakika/sn = minutes/seconds) add to the comedic timing of the exchange.

Resimde bir göğüs röntgeni ve üzerine yerleştirilmiş, çeşitli yüz ifadelerine sahip emoji görünümlü figürler var. Tweet'in metni, "Abla ora akciğer" ve "erkeklerin kalbi" ifadeleri ile bir espri içeriyor. "Abla ora akciğer" ifadesi, ablayı (kız kardeşi/ablası) akciğerlerine işaret ederek röntgen görüntüsüyle dalga geçiyor. "Erkeklerin kalbi" ifadesiyle de, röntgendeki emoji figürlerinin bir anlamda "erkeklerin kalbini temsil eden" farklı kişileri temsil ettiği ima ediliyor. Bu, röntgen görüntüsü ile ilgili basit ve hafif bir espridir. Ciddi bir durum değil, mizah yoluyla sosyal medya platformunda paylaşılan bir yorum.

The photo is a tweet. The tweeter, Umut Deniz Gökgöz, is complaining about a bad situation. The joke, in Turkish, plays on the idea of trying to get rid of bad spirits or negative energy. He's describing how he tried to clean his house with vinegar (a common household cleaning agent), but it didn't work. The humorous part lies in the fact that the vinegar, instead of banishing the bad spirits, created such a strong smell that it drove him away from his home. He left his home because the stench was unbearable, resulting in him being kicked out of his home/with his friends. The repetition of "ben" (I/me) highlights the speaker's frustration, and the overall impression is that the cleaning attempt backfired spectacularly.

The photo shows a group of people, likely participants in a reality TV show or similar program, sitting around a coffee table. They appear to be engaged in some kind of activity, possibly a game or conversation. One woman, noticeably, appears to have a smeared or altered face, giving the scene a peculiar look. The caption below the image says "Kemal Kılıçdaroğlu açıklandıktan sonra altılı masanın ortam:" which translates to "The atmosphere of the six-party table after Kemal Kılıçdaroğlu was announced." The reference is clearly to the recent Turkish political situation and the announcement of a candidate. The humor of the image likely comes from the juxtaposition of the serious political context, with the seeming chaos or absurdity of the group in the photo. The altered face, and the general atmosphere, might be interpreted as a satirical commentary on the political situation, reflecting a view that the situation is strange or out of control, or perhaps it is merely a lighthearted observation of the emotional state of those involved. The humor is not immediately obvious to someone without cultural context.

The photo is a tweet. The tweet promotes Yahya Cem ERBAŞ, a neurosurgeon, as a candidate for a position. The joke, in Turkish, is implied and relies on a common understanding of political discourse: The tweet says, "Choose this man as a candidate, please. Both Ekrem İmamoğlu and Mansur Yavaş are of this type." The humor lies in the implication that ERBAŞ is being presented as a different kind of candidate, a non-political one. The phrase "İmamoğlu hem Mansur Yavaş tipi var" suggests that İmamoğlu and Yavaş (two prominent Turkish politicians) represent a particular political style—perhaps one that's seen as divisive, populist, or lacking in specific expertise. By juxtaposing a doctor with these politicians, the tweet suggests ERBAŞ is a more qualified and less politically contentious choice. It's a sarcastic suggestion that the other candidates are not the best choices.