Fotoğrafta, "Batı'da Liberaller" başlığı altında ABD'nin 16. Başkanı Abraham Lincoln'ün bir resmi ve altında, Türkiye'deki bir siyasi görüşü savunan metin yer alıyor. Metin, ülkenin çıkarları, refahı, ekonomik özgürlüğü, milli yükselişi ve rekabetçi kaliteyi vurgulayarak, batılı liberal düşüncelerin Türkiye'ye uygulanmasını savunuyor. Ancak metin, Türkiye'nin sorunlarına ve farklı kesimlere yönelik eleştiriler de içeriyor. "Türkiyeli diyelim ülke s*kim göçmen getirin *endişeli şeriatçılar*", "ayyaş kemalci vesayeti?", "kürdistan diyebiliriz dersim diyebiliriz bölünsek nolcak keşke", "ingilizler işgal etse refah gelir turkiye s*kimm zattiri zort" gibi ifadeler; Türkiye'nin iç sorunlarını, etnik ve dini farklılıkları, siyasi karışıklıkları, geçmişte yaşanan veya devam eden sorunları ve bazı kişilere karşı eleştirileri esprili bir dille dile getiriyor. Özetle, siyasi görüşler arası eleştiri ve ironi içeren bir resim. Metin, ülkedeki sorunları, siyasi iktidarları ve toplumsal yapıları eleştiriyor. Bu, o dönemde sosyal medya veya internet üzerinden yaygın olan bir tarz olabilir. Ayrıca, kullanılmakta olan dilin ve içerdiği ifadelerin zamanında tartışmalı kabul edilebilir olmasını da unutmamak gerekir.

Resimde, Mucahit Özer isimli bir kişinin Twitter paylaşımı görülüyor. Paylaşımda, "Tayyibe çok sinirlendim oruç tutmucam artık" ifadesi yer alıyor. Bu, Türkiye'deki siyasi bir görüşe gönderme yaparak bir şaka oluşturuyor. "Tayyibe" ifadesi, Türkiye Cumhurbaşkanı Erdoğan'ın kısaltılmış bir adlandırılması. Paylaşım, Cumhurbaşkanı'nın bir politikasına ya da kararına tepki olarak, orucu tutmaktan vazgeçileceğini ifade ediyor. Şaka, Cumhurbaşkanı Erdoğan'ın politikalarına karşı bir eleştiri/tepkini esprili bir dille ifade ediyor.

Fotoğrafta iki genç kadının, farklı kıyafetlerle ve farklı arka planlarda poz verdikleri iki ayrı fotoğraf görülüyor. Soldaki kadın kırmızı, sağdakinin ise siyah bir iç giyim parçası var. Görüntüler, bir sosyal medya paylaşımı gibi görünüyor ve altta, "sağcı mısın solcu mu?" sorusu, siyasi görüşlere gönderme yaparak bir espri yapıyor. Fotoğrafların bir araya getirilmesi ve soru, görüntülerin iki farklı kadına ve farklı kıyafetlere sahip olmasından oluşan bir ironi ve espri içeriyor. Görsel, siyasi görüş ayrılıklarını ve sadece görünümlere bakarak değerlendirme yapma eğilimini vurgulayarak hafif bir alaycı tavır taşıyor.

Resimde, bir Twitter paylaşımı görülüyor. Paylaşımda, "muzo r. olivaw" isimli kullanıcının "after parti" ("parti sonrası") başlığıyla paylaştığı bir fotoğraf yer alıyor. Fotoğrafın altında ise "Haber Report" isimli bir haber sitesinin, Mehmet Özhaseki'nin AK Parti ile ilgili bir sorusunu paylaştığı bir tweet'i yer almaktadır. Soru, "AK Parti gidince ne olacak?" şeklindedir. Fotoğrafta ise bir erkek, muhtemelen Mehmet Özhaseki, bir toplantı veya basın açıklaması esnasında, AK Parti logosunun olduğu bir arka plan önünde oturmaktadır. Tweetin ve fotoğrafa dair espri, AK Parti'nin son durumuna veya siyasetteki etkisine dair ironik ve potansiyel olarak eleştirel bir yorum yapıyor. "After parti" (parti sonrası) başlığıyla paylaşımın, AK Parti ile ilgili bir durum değerlendirmesi veya eleştiriyi ifade edebileceği düşünülmektedir. İfadenin kesin anlamı, bağlamına ve göndericiye bağlı olarak değişebilir. Paylaşılanın amacı, AK Parti'nin gelecekteki durumuna dair bir öngörü veya eleştiri olabilir.

Resimde, başörtülü/şapkalı küçük çocukların bir masada yemek yedikleri görülüyor. Fotoğrafın altındaki tweet'lerdeki espri, "Osmanlı Torunu AHMET" isimli kullanıcının yüzde 123'lük bir destek bulsa bile bu çocukların (veya muhtemelen Osmanlı Devleti'nin) "aslan parçaları" olarak nitelendirildiği ve yeteneksiz oldukları yönündeki bir alaycı yorum. "dex" isimli kullanıcı ise bu yorumu "yüzde 123 ne aq malı" şeklinde sorgulamaktadır. Burada, %23'lük bir kitlenin fotoğraf karşısında sinirlenmesi ve "Osmanlı Torunu"nun destek aldığı varsayılan bir durum, konu hakkındaki ironik ve alaycı yaklaşımı ortaya koymaktadır. Dolayısıyla, tweet'ler bir kısım insanın milliyetçi veya geleneksel görüşlere sahip olduğunu ve bu görüşler hakkında ironik, olumsuz bir yorum içermektedir.

Bu görsel, bir çizgi roman formatında, komik bir şekilde acı çeken bir adamın ve ona gülümseyen bir kadının durumunu konu alıyor. İlk karede, hastane yatağında, bandajlarla sarılmış ve gözünün altında morluk olan bir adam "Öldüm mü?" diye soruyor. Yanındaki kadın "Hayır, ölmedin" diye cevaplıyor. İkinci karede ise, adam "Peki neden bir melek görüyorum?" diye soruyor. Kadın ise "Ah, aptalca!" şeklinde yanıt veriyor. Sonraki karede, Türkiye Cumhurbaşkanı'nın canlı yayın görüntüsünün göründüğü bir sahne var. Kadın yine gülüyor. Son karede ise tekrar hastane yatağında olan adam, gözlerinden yaş akıyor ve yine acı çekiyor. Görseldeki şaka, adamın ağır yaralanmalarına ve hastalığına rağmen, kadının (belki de aşırı bir şekilde) hafif ve önemsiz görüyor olmasına dayanan bir ironi üzerine kurulu. "Hastanede olduğunu/yardıma ihtiyacı olduğunu" düşünüp endişelenen veya üzülen adam, gerçek hayatta, medyanın/kamuoyunun ilgi odağı olan önemli bir olayı (muhtemelen Türkiye Cumhurbaşkanı'nın durumu veya önemli bir konu) izleyerek gülüyor. Yani şaka, önemsizlik ve trajedi arasında bir karşılaştırma yapıyor.

The photo shows a wall clock. The clock face is white, with the logo of the AK Parti (the ruling party in Turkey) featuring a lightbulb design prominently displayed. The numbers indicating the hours are clearly visible. The joke, in Turkish, likely plays on the juxtaposition of a clock and a political party logo. The phrase "Çalar saat" literally means "alarm clock" but is also used colloquially to mean "time is ticking." The implication is that time is running out for opposition parties or perhaps even commenting on the current government's agenda. The use of a clock with an AK Parti logo suggests that this party is in charge, and perhaps controlling time itself.

The photo is a tweet. The tweeter, Prof. Dr. Batı Yaranki, is talking about earthquake tax. The joke, in Turkish, is a sarcastic and slightly angry observation about the timing of asking questions about the earthquake tax. The phrase "deprem vergisini deprem zamanında sorgulamayacaksak ne zaman sorgulayacağız amcıklar randevu verin de o zaman sorgulayalım" translates roughly to: "If we aren't going to ask questions about the earthquake tax *during* the earthquake, when will we ask? Give us an appointment, then, so we can ask then!" The humor comes from the implication that the tweeter is frustrated that authorities aren't addressing the issue (the earthquake tax) properly, and is sarcastically suggesting that they should only address it when it's convenient for them, rather than when people need it. The word "amcıklar" (literally "little asses") is used in a derogatory and sarcastic way to express frustration.

The image is a screenshot of a Twitter thread. It shows a picture of a man drinking what appears to be alcohol on a beach, in front of the sea, with another person in a beach chair in the background. The caption of the picture states that this happened during the holy month of Ramadan and the Muharrem holiday. This is a very controversial and offensive topic to religious people in Turkey. The joke, in the context of the reply, is aimed at someone named "yobazettinbeni." The tweeter is criticizing the recipient by stating that he is a "yobaz" which means "bigoted" or "religious fanatic." The tweeter is essentially mocking the recipient by accusing him of hypocrisy. In the context of the picture and the statement "peygamber seçimimi bu amk yobazı sanane", which translates to "you think you're judging my choice of prophet, you bigoted idiot?", the humor arises from the contrast between the sacred/religious context implied in the image of the holy month being violated, and the tweeter's aggressive and blasphemous language. It plays on the double meaning of 'yobaz' while also being rude and mocking. It's a sarcastic, disrespectful jab at the person being addressed. The image and caption together deliver a strong, albeit offensive, humorous message.

The photo is a tweet by a user named Mert Soylu. The tweet is a humorous, somewhat sarcastic, observation about a group of people in a marketplace (çarşı). The joke plays on the contrast between the seemingly positive act of distributing soup (çorba dağıtıyor) in the morning and the violent act of beating people (yağmacı dövüyor) in the evening. The overall implication is that the group is not very trustworthy and their behavior is out of control. The last line "hizmette sınır yok" ("there are no limits to their service") is the punchline. It emphasizes the unexpected nature of the group's activities and implies a level of disorderliness or even criminality. It's a social commentary or a lighthearted observation on a potentially problematic situation.

The image is a screenshot of a tweet. **What's in the photo:** A tweet from a Twitter account, "Solcu Gazete Kılıçdaroğlu" (Left-Wing Newspaper Kılıçdaroğlu), referencing the Turkish presidential election. The tweet is in Turkish. There's a profile picture of a woman (duygusal zargana), and the content includes a comment from that user, along with reactions and reply counts. **The joke (in Turkish):** The joke plays on the uncertainty surrounding the presidential candidate that will be announced in the coming election. The tweet from "Solcu Gazete Kılıçdaroğlu" suggests that the final candidate might not be revealed immediately. The response from "duygusal zargana" is: "We'll probably figure out who the candidate is by accidentally looking at the ballot paper". This response suggests cynicism and implies that the final decision on the candidate isn't necessarily going to be publicly announced or clearly communicated, and the eventual voters will have to figure it out themselves by reading the ballot paper. In short, it's a humorous take on the potential lack of transparency or clear communication surrounding the election process. The humor lies in the implied frustration with the lack of directness.

The image is a meme on a social media platform, likely Twitter. It features a photo of a woman, suggestive in its nature, with text overlaid. A man in a construction worker's uniform (likely a construction worker's uniform, not the uniform of a specific government official) is superimposed on the image. The text says "DUR!" (STOP!) and "Kıza bakma" (Don't look at the girl/woman).  The overall message is a humorous and likely sexist/misogynistic commentary. The overlay of the man in the worker's uniform suggests a contrast and a possible criticism of the woman's apparent presence. The phrase "Kızlar gecicidir" (Girls/women are temporary) is a sexist statement. The additional text below the woman's image, "Atyapı yatırımları ve metro ise kalıcıdır" (Infrastructure investments and the metro are permanent), is likely trying to suggest that material/infrastructure investments are more enduring than the fleeting nature of the woman's presence (or possibly an entirely unrelated commentary). The follow-up tweet by Malik Karaca asks "Şopsuz halini atabilir misin?" which translates to "Can you remove your filter/image?" implying that the photo is potentially edited and doesn't accurately represent the subject. **The Joke (in Turkish):** The joke plays on sexist stereotypes and social commentary, creating an inappropriate connection between a sexualized image and seemingly unrelated issues like infrastructure projects. The overall message is problematic, as it objectifies women and uses humor to undermine women and promote a sexist view. It is likely considered offensive by many. The photo shows a Twitter post by a user named Serdar (@hafifhamsisi). The post is a reply to users @karacamalik7, @RegapBulut, and @alperk55. In the image, a man in a safety vest and hard hat stands in front of a tunnel. The humor in Turkish relies on a visual pun and the context of the situation. It's not a straightforward joke, but relies on the association between the situation and the tweet recipients. Without knowing the specific prior conversation, the likely joke is playing on the idea of **a person (Serdar) who's, presumably, in charge of building a tunnel, making light of, or possibly criticizing, other people who are also involved in the project**. The joke relies on the recipients of the original message probably having some sort of role in the tunnel project, either professionally or in a joking way, with this tweet being a comment/response. The context of the image, combined with the mentions of those other users, would be needed to fully understand the specific humorous intent. It's not something that can be fully understood without more context.

The photo shows Recep Tayyip Erdoğan, the President of Turkey, pressing a button on a large, gray electrical panel. The panel has a large sign on it that says: "İnterneti kesme düğmesi" (Internet cut-off button) "Ülkemize hayırlı olsun" (May it be auspicious for our country) with the Turkish flag depicted. The joke, in Turkish, is a satirical commentary on Erdoğan's perceived tendency to exert control over media, information, and even internet access in Turkey. It's a humorous and critical portrayal of the situation, as if the internet is literally a "button" that can be switched off. It implies that such a button, though presented as a matter of national benefit, is actually a tool of repression.

The photo is a tweet, likely from a Turkish social media user, using a picture of a religious figure (Pirezer Lâtif Hoca Efendi). The tweet criticizes President Macron of France using a condescending and somewhat insulting tone. The message is that a Turkish citizen doesn't consider the President to be superior, rather an equal. The joke, in Turkish, centers on the implied power dynamic between a president and a citizen, with the tweeter arguing that Macron's position doesn't grant him any superior standing. The tweet emphasizes the following points: * **"çalışanımsın (you're my employee)":** This refers to the idea of a citizen being a subject of the government, and not being a servant or subordinate. * **"Maaşın benim ödediğim vergilerle ödeniyor (Your salary is paid with my taxes)":** This highlights the idea that the President receives taxpayer money and should not act as if they are superior. * **"yüksek perdeden konuşamazsın (You cannot speak with such a high tone)":** This implies that Macron should treat citizens with respect and not speak down to them. * **"benim efendim değilsin (You're not my master)":** This is the core of the insult and the joke. The tweet argues that a citizen is not a servant to the President. * **"hizmetçin değiliz (We are not your servants)":** This is a powerful statement that further emphasizes the idea that citizens are not subservient to the President. Essentially, the tweeter is using a perceived condescending tone from Macron as a point of contention, contrasting it with the idea of mutual respect between President and citizen. The religious figure's image is likely used to add gravitas to the tweet's message.

The image is a tweet thread. The first part, from @uzobey, is a sarcastic comment. It says, "Give us a prophet, one as powerful as you." This is a humorous jab directed at a political figure (presumably implied). The implication is that the person isn't very powerful. The second part of the tweet, from BirGün Gazetesi, counters with a quote from Turkish politician Binali Yıldırım. He says, "Young people, don't worry, God is on our side." This directly contradicts the previous comment. The joke relies on the contrast: @uzobey implies the political figure is weak/incapable. BirGün Gazetesi uses the famous phrase, "Allah is on our side", to show the opposite. The implied humor is that the politician is trying to inspire people, but in reality, they might be much less powerful than the rhetoric implies.

The image is a comic strip, likely a meme. It's black and white and shows stick figures in a simple style. **Panel 1:** A person is shown saying "akpnin yaptığı her iş yanlıştır" which translates to "Everything the AKP does is wrong." This refers to the ruling party in Turkey, the AKP (Adalet ve Kalkınma Partisi). The surrounding figures appear to be judging the speaker. **Panel 2:** The same person from Panel 1 is followed by another panel showing a person kissing a second person. **Panel 3 & 4:** This is the punchline. In panels 3 and 4, the figures are kissing, highlighting a contrast. **The Joke:** The joke plays on the common criticism of the AKP in Turkey. The first panel expresses disapproval of the party's actions. The subsequent panels ironically depict a couple kissing, implying that even if the AKP's actions are considered wrong by many, people still engage in affectionate behaviors. It's a humorous commentary on political disapproval versus personal actions. The contrast between the serious political statement and the private, personal act of kissing creates the humor.

The image is a screenshot of a likely online poll or survey. It shows a grid of photos of people. The headline, in Turkish, says: "Ülkeye faydası olmayanları" meaning "Those who are of no use to the country". The task is to select the photos of people who are believed to be of no use to the country. One photo shows a blank profile picture. The joke, or rather, the intended political commentary, is a bit more nuanced than a simple joke. It's a way to express disapproval of individuals perceived to be unhelpful or harmful to the country, whether through political actions or inaction. The platform allows users to select the images of those they believe do not benefit the nation. This is a common and contentious method of political discourse online.

The photo is a meme, likely created to satirize a political situation involving Turkey and Syria. It shows a man and a woman, seemingly in a crowded New York City setting (likely near the Rockefeller Center Christmas tree). The man is labeled "TURKISH GOVERNMENT" and the woman is labeled "SYRIANS" and "TURKISH CITIZENS." The woman has a somewhat exaggerated facial expression. The joke plays on the perceived (by the meme's creator) contrast in treatment between how the Turkish government is depicted in the image versus how Syrian citizens are. The implied humor stems from suggesting that the Turkish government is "kissing" (or associating closely with) the Syrian people, but not in a positive way. The situation is sarcastic, implying the Turkish government is indifferent to or even potentially harming the Syrian citizens. **In Turkish:** Bu fotoğraf, muhtemelen Türkiye ve Suriye'yi içeren bir siyasi durumun hicvedildiği bir meme. Fotoğrafta kalabalık bir New York City sahnesinde (muhtemelen Rockefeller Center Noel ağacının yakınında) bir erkek ve bir kadın görülüyor. Erkek "TÜRK HÜKÜMETİ" ve kadın "SURİYES" ve "TÜRK VATANDAŞLARI" olarak etiketlenmiş. Kadın biraz abartılı bir yüz ifadesine sahip. Şaka, görselde Türk hükümetinin nasıl tasvir edildiği ile Suriye vatandaşlarının nasıl tasvir edildiği arasındaki algılanan (meme'nin yaratıcısı tarafından) tezatlığa dayanıyor. İçerilen mizah, Türk hükümetinin Suriye halkı ile "öpüştüğü" (ya da yakın ilişkide olduğu) ancak olumlu bir şekilde olmadığı ima edilir. Durum, Türk hükümetinin Suriyeli vatandaşlara kayıtsız ya da hatta potansiyel olarak zarar verdiğine dair ironik bir yorum.

The image is a tweet (or similar social media post) sharing a scene from a Turkish TV series, likely a medical drama, titled "Mucize Doktor" (Miracle Doctor). The scene shows a young girl, Nazlı, with a medical device, possibly a nasal tube or suction device, in her mouth while a doctor and an assistant attend her. The caption, "sira sende turkuyem," roughly translates to "it's your turn, Turkey" (or perhaps, "Turkey, it's your turn"). This part is a playful and lighthearted statement. It's not a direct joke but rather a teasing remark, probably implying a similar situation might be happening in Turkey (the general public or a specific group.) The main joke hinges on the image itself and the phrase "Nazlı ampülü çıkarmayı başarıyor!" (Nazlı successfully removed the tube/ampule!). The humor comes from the *unexpectedness* of the situation. It is likely meant to be funny because the scene depicted is quite unusual and probably meant to be dramatic, almost comedically so. The implied humor comes from the general absurdity of the series. The tweet uses a lighthearted tone to draw in viewers. The user may be highlighting the success of a character or finding humor in the dramatic aspects of the series. The tweet is likely aimed at the audience who already follow the show, triggering a response based on shared enjoyment of a specific storyline element.

The image is a Twitter thread. **What's in the image:** * **Tweet header:** A tweet from a user named "Tevbo Rundfunk" referencing "spleendistanbul". * **Tweet body:** The tweet is critical of someone liking pornographic content on a social media platform. It directly addresses the user. * **Retweet/Reply:** Another account, "BirGün Gazetesi", retweeted this and added information about new social media regulations for the AKP (the ruling party in Turkey). * **Link:** A link ("bit.ly/2QHsMXC") to a likely article or more information about the regulations. * **Image overlay:** A smartphone image with a portrait of a man (likely a Turkish politician). The effect is of someone taking a selfie or showing a profile picture. **The Joke (in Turkish):** The joke plays on the absurdity of social media scrutiny and political hypocrisy in Turkey. The tweet criticizing the viewing of porn is a thinly veiled criticism of the ruling party, AKP. By associating the "social media regulations" with the AKP, it suggests that the regulations are being used to suppress dissenting opinions or criticism. The selfie image of a politician added to the tweet is a satiric element. It implies that the party is being overly concerned with the online appearances and behavior of their members, while potentially ignoring more serious issues or being hypocrites themselves. In short, the joke mocks the perceived overreach of social media regulations in Turkey, and the possible ulterior motives behind them, suggesting that they're being used to silence criticism of the governing party.