The photo shows a picture of a man (likely Musa Eroğlu, a Turkish public figure) and a gray crane. There's a speech bubble coming from the crane that says: "vay a, Musa Eroğlu'nun manitaya selam söylemeyi unuttuk." The joke is based on the concept of forgetting a basic courtesy. The phrase translates to: "Oh dear, Musa Eroğlu forgot to greet [a female] Manita." This implies that Musa Eroğlu, in this humorous context, neglected to greet a specific female person named Manita. The crane is used as a visual metaphor to represent the forgetfulness or oversight. The joke plays on the expectations of politeness and remembering to greet someone. The context is likely social media or a similar platform where it's meant to be lighthearted and humorous.

Fotoğrafta, gri köpekbalığı desenli bir kedi evi ve içinde saklanmış bir kedi görünüyor. Kedi, evin yanında duran bir karton kutunun içine girmiş. Tweet'in altındaki metin, "ne güzel ev aldık bırakmadı o karton kutuyu vizyonsuz" diyor. Bu, kedinin yeni evini (köpekbalığı evini) beğenmediğini, ancak yine de karton kutuda saklanmayı tercih ettiğini ifade eden bir espri. "Vizyon" kelimesi "görmek, fark etmek" anlamına geldiği için, kedi yeni evin çekiciliğini fark etmediği, dikkatini karton kutunun sunduğu gizem ve korunma hissini cezbettiği anlamına geliyor. Özetle, kedi yeni evinin güzelliğinden çok, kutunun sağladığı gizlilik ve saklanma hissinden zevk aldığı, evini "vizyonsuz" bulduğu bir espri.

The image is a comic-style illustration. A blue-skinned, bearded man, wearing a red tracksuit with white stripes and a red and white striped hat, is crouched on top of a mushroom. He's holding a cigarette. A logo for "BATU COMICS" is in the bottom left corner. The text above the illustration says: "La gargamel seni lal ederem ha" "qahpe evladı" "-şirin babba" In Turkish, this is a humorous, insult-laden expression. It's a playful jab, likely using a common phrase in a humorous way. The most relevant and likely intent is referencing the character "Gargoyles" from cartoons (or similar characters) with a mocking/condescending take on their portrayal. The "Seni lal ederim" part suggests silencing someone with shock or insults. "Qahpe evladı" translates roughly to "you (offensive) son/daughter." "-şirin babba" appears to be a playful twist/nickname, mocking the person as if they were a lovable yet deeply flawed "sweet old fellow." The whole thing is a humorous and probably Turkish-culture specific jab or inside joke.

The photo shows a person wearing jeans and a t-shirt, with a handgun concealed in a holster inside their waistband. A small, dark gray/black object (possibly a part of the holster or a related item) is visible in one of the back pockets. The joke, if there is one, is likely a visual pun. The placement of the object in the back pocket appears to be a humorous juxtaposition, perhaps suggesting that something is hidden (and potentially dangerous) within plain sight. The context is crucial, and this relies on an understanding of the potential danger or absurdity of carrying a gun. The caption, or the way the image is presented, is needed to know the exact meaning of the humor. Without further context, we can only suggest possible interpretations: Possible Jokes in Turkish: * **"Görünmeyen tehlikenin, gözle görülür bir yerdeki gizliliği."** (The hidden danger's concealment in a visible place.) This highlights the unexpected nature of the gun being concealed, and possibly implying the absurdity of looking in the wrong places for danger. * **"Yanlış yere bakmayın, tehlike orada değil!"** (Don't look in the wrong place, the danger is not there!) This implies the audience might be looking for the danger in the wrong spot - the back pocket- and the gun is concealed elsewhere. * **"Bilinmeyenler, bazen en beklenmedik yerlerde saklanırlar."** (Unknowns sometimes hide in the most unexpected places.) This more general statement might apply to the gun itself, and how unexpected or hidden dangers can exist. It would be best to have more context (like a caption) to understand the exact intended joke. The image alone is suggestive but not definitively humorous without more information.

The image is a meme. The top part shows a social media post (likely from a Turkish-language social media platform). It says: "Or [he/she] saw the child quickly become important." "Sövme bak" translates to "look how you insult/swear at him/her". The bottom part of the image is a picture of what appears to be a large number of sushi rolls arranged in a seemingly chaotic, but somewhat organized pattern. The joke plays on the contrast between the serious, possibly stressful, and somewhat dramatic statement in the top part (the "child quickly became important") with the seemingly humorous image of sushi rolls in the bottom. The image uses the word "HZ" (short for "Hz. Muhammed" which refers to the Prophet Muhammad, which is also used as a very formal and respectful honorific) that is large and in bold font. This addition to the meme is meant to be ironic and humorous. It suggests that the commenter, or the person being insulted, was not worth such a heightened reaction. In short, the humor comes from the incongruity: a serious-sounding message paired with a seemingly trivial image of sushi rolls, which creates a comical effect. The "Hz." addition probably adds an additional layer of ironic humor, playing with the formality and respect normally associated with the term.

The image shows a comment section, likely from a social media platform or forum. **The Joke (in Turkish):** The core of the joke lies in the juxtaposition of the initial comment and the subsequent responses. The first comment, "Somalıdan, Türk kardeşlerimize selam olsun" (From Somalia, peace be upon our Turkish brothers), displays a large number of Turkish and Somali flags with hearts, symbolizing a friendly relationship. This is intended to be a positive and welcoming message. However, the subsequent comments, especially "Aleykum selam somalı kardeşim madencileri unutmadık" (Peace be upon you, my Somali brother, we haven't forgotten the miners), subtly reveals a different intention. While seemingly polite, this comment implies that the Somali miners are often in the news for reasons that involve potentially dangerous or difficult working conditions (which is indeed frequently the case for migrant workers globally). This brings a touch of irony and perhaps a hint of underlying criticism to the initial positive statement. The joke's humor comes from the contrast between the overly enthusiastic, almost overly friendly, display of flags and the somewhat more critical and concerned undertones of the responses. Essentially, the initial message is a performative display of solidarity, while the responses indicate a more nuanced and perhaps less than entirely superficial reality. **In short:** The joke is about the potential gap between stated intentions (the positive message of friendship) and the underlying realities and potential complexities of actual relations between different groups.

The photo shows a man, likely in a business setting, looking at his phone. A vertical line of text messages is visible on the screen behind him. All the messages are identical, saying "GARANTI CEP Hesabınıza para geldi" which translates to "GUARANTEE CEP Your account has received money." The joke is on the repetition. The man is likely receiving the same message repeatedly, which is quite improbable and humorous in the context of a real-world scenario. It's a playful take on an automated notification or message spam, highlighting the redundancy of the message. In Turkish, the humor comes from the absurdity of receiving the same confirmation multiple times.

The image is a social media post, likely a tweet or a similar format. **Description:** It shows a user profile picture (a standard blue person icon), the user's name "toprak", and their Twitter handle "@toprakdiyin". Below this, there's a short message in Turkish. **Turkish Text:** "bu gece bazı kafasal sıkıntılarım mevcut bana yaklaşmayın" **Joke Explanation:** The joke plays on the common phrase "approach me not" and a humorous self-deprecating tone. The speaker, toprak, is essentially saying "I'm having some mental issues tonight, don't bother me." The word "kafasal" (relating to the head/mind) subtly implies a bit of silliness. It suggests that the speaker is going through some temporary mental difficulties or a bad mood, and is politely asking people to avoid contact. It's a lighthearted way of expressing discomfort or being in a state of mind where they don't want to engage in conversation.

The photo shows a group of people gathered inside a makeshift tent, likely a refugee camp or similar situation. They are watching a soccer game on a small TV. The joke, if there is one, isn't explicit in the image. It would need more context, like a caption or additional information about the situation, to understand the intended humor. A possible, implied, *very* general joke might relate to the harsh conditions and how people still find ways to enjoy simple pleasures, or appreciate the unifying power of shared entertainment, despite their circumstances. However, without more information or a caption, a specific joke cannot be definitively identified or explained.

The photo shows a grid of twelve different types of Turkish wafer-chocolate bars. Each bar is numbered. The joke, likely in the context of the image, is implied by the presence of the different brand names, all related to similar products, and the humorous juxtaposition of these items. There isn't a single, clear joke in the image itself. The humor is likely in the familiarity and variety of the common Turkish treats, and the possibility of evoking a shared experience or association with these particular brands. It relies on the viewer recognizing the brands. It's a visual pun, more than a direct joke.

The image shows a close-up portrait of a man, likely a Turkish singer named Ahmet Kaya. Overlaid on the image are Turkish lyrics. The joke, or rather the sentiment expressed in the lyrics, is a humorous (and slightly morbid) statement. It says: "After I die, put this picture of me on all my YouTube songs." The humor comes from the juxtaposition of the singer's possible demise with the desire to keep his image, and thus his music, visible and accessible. It's a playful, self-deprecating take on the artist's legacy. The phrase implies the song creator will be long gone when the actions will take place. It's a lighthearted way to think about what will happen to his work after his death.

The image is a screenshot of a dating profile, likely from a dating app. The profile picture shows a man, Ömer, who appears to be in a compromising or awkward pose, with his legs positioned on top of another person's knees.  The humor in Turkish relies on the juxtaposition and the absurdity of the image. The profile is designed to be attention-grabbing (or perhaps unintentionally) through the unusual visual. There isn't one single, definitive punchline, but the implication is that the pose is either meant to be suggestive/sexy or, humorously, inappropriate or clumsy. It evokes the idea of a man who may be trying to present a certain image that is not actually accurate. The humor plays on the expectation that someone would be more traditionally or subtly dressed on a dating app profile. The joke is in the incongruity—the man's picture is quite unusual. It's not clear if the picture is intentional irony, a misunderstood attempt at humor or just poor judgment. The profile's title "Antika Ömer," a play on the word "antika" (antique), adds a further layer of potentially misleading or self-deprecating humor. It implies that his personality or image is old-fashioned or not up-to-date compared to what someone might expect from a typical dating profile.

The image shows a family dinner scene. A woman in an orange sweater is pouring tea, and a man and a woman with blue hair are seated at the table. There's a roasted turkey on the table. The joke, based on the image, is likely an observation about **social constructs of gender roles** and **stereotypes**. While the woman is pouring tea, the man and the woman with blue hair are depicted as seemingly comfortable in their roles at the table. The implication is that a woman is expected to pour tea (a traditional, sometimes stereotypical, female role) and that this doesn't necessarily contradict a family relationship or social dynamics today. A humorous, albeit not explicitly stated, interpretation of the image in Turkish could be something like: **"Kadınlar çay servisi yaparken, erkekler ve kadınlar da masada rahatlıkla oturup yemek yiyebilir. Toplumun eski beklentileri zaman zaman, ama aslında değişen bir dünyada. Herkesin rolü kendi tercihlerine bağlıdır."** (Women can pour tea while men and women can also comfortably sit at the table and eat. Society's old expectations sometimes exist, but it's actually a changing world. Everyone's roles depend on their own choices.) Or, a more straightforward and lighthearted take: **"Çay servisi yapan kadının, masada oturanlar hakkında hiçbir şey söylemediği bu aile yemeğinde komik bir şey yok."** (There's nothing funny about this family dinner, where the tea-serving woman doesn't say anything about those seated at the table.) The humor lies in the lack of any conflict or surprise about a woman pouring tea. In a culture where such expectations may still exist, it is a subtle comment that those expectations are somewhat outdated. The point is to highlight that these traditional roles are not inherently humorous in a modern context, rather than making a direct joke about someone's gender.

The photo shows three people in white lab coats. Two are men, one is a woman. The text overlaid on the image says "Kemal bey genetiğinizde liderlik yok" which translates to "Mr. Kemal, there is no leadership in your genes." The joke plays on the image of the people in lab coats, implying a scientific or analytical assessment. The statement "there is no leadership in your genes" is a sarcastic and humorous criticism of Mr. Kemal, possibly referring to a perceived lack of leadership qualities. The implication is that these qualities aren't inherent but rather are missing from his genetic makeup. The context of the image (doctors/science) adds to the humorous and somewhat pointed nature of the statement.

The photo shows a sign indicating that smoking is allowed. The sign has a standard international symbol of smoking in a circle. Below it are the words "SIGARA İÇİLEBİLİR". This is standard Turkish for "Smoking is Allowed." The joke, if there is one, is a visual pun. The sign, while correct in its message, appears to be in a location where smoking is unusual or unexpected. The somewhat incongruous placement implies that the sign is deliberately or mistakenly put in a location where smoking is not usually or commonly permitted. So the *joke*, if there is one, is in the context of the unusual location rather than in any grammatical error or mistranslation. It plays on the idea of a place with rules not quite being followed. It's somewhat similar to a "this is not a joke" joke.

The photo shows a news anchor, in a suit and tie, holding a peeled orange that's been carved into a fish-like shape. The humor in Turkish lies in the juxtaposition of the serious, formal setting of a news broadcast (a news anchor in a suit) with the absurd and somewhat childish act of carving a fruit into an animal form. It plays on the unexpected and the contrast between the serious profession and the silly, almost playful, fruit arrangement. A possible interpretation, and likely intended humor, is the idea of a news anchor doing something unexpected, nonsensical or even trivial during a broadcast. This suggests a sense of absurdity or lightheartedness contrasting with the normally formal nature of news reporting.

The image is an advertisement for AtlasBet, a likely online betting site. It's promoting their Instagram account (@atlasbetcom). The main text urges followers to "keep up with our current Instagram account." The joke, if there is one, relies on the association between a gambling site and possibly provocative or suggestive advertising, playing on a common idea about the image that a site trying to attract attention might use to attract attention, including pictures of attractive people. It is not overtly humorous, but it plays with the concept of using eye-catching imagery in promotional material for online gambling. The Turkish text, "GÜNCEL INSTAGRAM HESABIMIZI TAKİP ETMEYİ UNUTMAYINIZ!" directly translates to "DON'T FORGET TO FOLLOW OUR CURRENT INSTAGRAM ACCOUNT!". The presence of a woman in a bikini in one of the Instagram post mock-ups in the image adds a bit of provocative or suggestive imagery which might be the unspoken part of the joke or advertising technique.

The image shows Venom and Spider-Man in a comic-style illustration, seemingly in a basketball game or a similar action scene. The text "yatassa yala" is superimposed over the image. The joke plays on the phrase "yatırıp yala" (or similar variants), which in Turkish slang roughly translates to "to lay down and lick". It's a phrase implying defeat or submission. In this context, the image of Venom, a powerful villain, and Spider-Man, the hero, suggests that, despite Venom being depicted as victorious in the image, the situation isn't quite as easy for Spider-Man. This could be interpreted as humorous commentary on how tough the fight might be against a seemingly stronger opponent, or mocking someone for giving up too easily (with the context suggesting that Venom is "laying down" Spider-Man).

+ 03 Ağu 2015, 15:25 Merahba ezgi O 00:01 hanfendi merhabaya cevap veremicek kadar asil olduğunuzu bilmiyordum amına koyim af...

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