Resimde, Twitter'da Faruk Escobar tarafından paylaşılan bir tweet görülüyor. Tweet, psikoloji sınavından önceki bir tartışma grubunun, beklenmedik bir şekilde Arsenal futbol takımının savunması hakkında konuştuğunu anlatıyor. Tweet'in mizahı, "erkekler grubunun" psikoloji tartışmalarında, beklenmedik şekilde akademik konular yerine, sporun teknik konularıyla ilgilenmesinden kaynaklanıyor. "biri Sokratis'in amk diyor biri Hector düşüncesini uygulayamıyor diyor" gibi ifadeler de, bu beklenmedik ve normal dışı tartışma durumunun vurgulanmasına katkı sağlıyor. Özetle, tweetin (belki de kasıtlı bir şekilde) abartılı ve komik bir şekilde, akademik bir ortamda beklenmedik ve absürt bir konuya (futbol) kaydığını gösteren bir mizah kaynağı var. "Freud, Pavlov" gibi psikolojik terimlerle "Arsenal savunması" gibi bir spor konuları karıştırılıyor, ve bu kontrast, tweet'in espri unsurunu oluşturuyor. Ahahahahahahaha https://t.co/kmueM45Mis Faruk Escobar @faruk_escobar 5 gün sonra psikoloji sınavı var. Kızlar grupta Freud,...

The image is a tweet. The tweeter, Ozan Somel, is expressing a feeling of distraction and being unable to focus on his problems because of potential romantic interest. The joke, in Turkish, plays on the common experience of having your mind elsewhere when facing difficulties. The tweet implies that worrying about the problems of his country (memlekete dertlenmekten) has been forgotten, replaced by thoughts of a potential romantic interest (birine mi aşıktım), possibly a new relationship, or other distractions (bi şeyin taksidi mi vardı). The final line (bilmiyorum hiçbir şeyi su an) emphasizes his disorientation and inability to think clearly in this state. In short, the humor comes from the implied contrast between the serious concerns of the country and the distraction of potential love. It's a relatable sentiment about how easily our attention can be drawn away from our worries by other things, particularly romantic interests. ozan somel @ozansomel METROBAHIS ... memlekete dertlenmekten kendi sorunlarımı unuttum okuyo muydum birine mi aşıktım bi şeyin...

The photo shows a black and white cat with a distinct "mustache" marking. The tweet text says: "We got a cat like this, it's drinking tea instead of milk." The joke plays on the idea that cats are often associated with milk, and the humor comes from the unexpected substitution of tea for milk. The cat, instead of drinking the expected milk, is having a "smug" tea. The implication is that the cat is being naughty or mischievous, or that the owner is reacting humorously to the cat's unusual choice of beverage. Yusuf @namezewilo Böyle bir kedi aldık süt yerine kaçak çay içiyor Güncel Adres KULIS BET giris.link Kaynak

The photo is a tweet. The tweet, written in Turkish, describes a humorous interaction between a person and their mother-in-law. **What's in the photo:** A tweet from a user named "ayvazovski" describes a situation where the tweeter's mother-in-law asks about the baby. **The Joke in Turkish:** The joke lies in the sarcastic and exaggerated response. The tweeter tells their mother-in-law that the baby is fine, "BEBEK İYİ YA EVDE ÇOCUĞA BAKIYOR" (the baby is fine, it is looking after the children at home). This is an over-the-top, almost facetious answer. The mother-in-law then follows up with "Küçük bebek ne yapıyor?" (what is the little baby doing?). The tweeter's point is that the mother-in-law is concerned about the trivial everyday affairs (presumably more about the baby than her children) of the baby more than her own child. The humorous aspect is the idea of the mother-in-law seemingly focusing on the trivial details of child care, especially when her son or daughter are doing better things. The implication is that the mother-in-law is interfering. The phrase "o da büyüğüne bakıyor" (he/she is also looking after their older sibling) adds to the comical tone. In short, the tweet uses humor and exaggeration to depict a common, often relatable frustration between in-laws. ayvazovski @gadinburdurlum SLOTBAR.COM Kayınpeder cuma günleri cami çıkışında beni görünce "Bebek nasıl, ne yapıyor?" diye...

The photo is a Twitter thread, likely expressing concern and sympathy regarding a series of earthquakes. The joke, or rather the sentiment expressed, is sarcastic and critical. It's framed as someone lamenting the seemingly unending string of earthquakes impacting different Turkish regions. The phrase "Ya senin dayının a.koyim Gülşah" translates to "Oh, your uncle's a***, Gülşah," and it's a colloquial way of expressing frustration and exasperation. The user is essentially complaining to Gülşah, using a vulgar expression, that the earthquakes are impacting the lives of her family and others in an extremely unfortunate sequence. The tone isn't meant to be truly malicious; it's more an expression of frustration and sadness at the relentless disaster. The specific humor lies in the rapid succession of earthquakes in different cities mentioned in the tweet (Elbistan, Adana, Niğde). This highlights the devastating impact and immense difficulty being faced by the affected regions and their people. BELLI'S @portovecchiaaa 2 sa - Ya senin dayının a.koyim Gülşah SLOTBAR.COM ⠀ Gülşah @gulsahmadenliii Dayım Elbistan'daydı deprem...

The photo is a tweet by a user named Ali Onat Çetin. The tweet expresses outrage and anger about an apartment building manager who has collected money for years, claiming the elevator was broken, but has failed to repair it. Tragically, four people died in the elevator due to a broken cable. Now, the manager is asking for another year to fix the elevator. The humor, or rather, the sarcasm and anger, lies in the manager's audacity. He's essentially trying to excuse his negligence and poor management by asking for more time, even after a fatal accident. The tweet is criticizing the manager's irresponsible behavior and lack of concern for the safety of the residents. The question "Ne dersiniz?" (What do you think?) is rhetorical; it's meant to elicit an emotional response of disapproval. The user is clearly not buying the manager's excuses. Ali Onat Çetin @alionatcetin Apartman yöneticiniz 20 yıldır yönetici. Asansör bozuk diye para topladı fakat asansörü yaptırmadı....

The image is a tweet. The tweet shows a screenshot of a conversation. A user named scofield, likely referencing a post about a BMW, is commenting on the post. The joke is in the context of the overall conversation. The image shows a picture of a bottle of Coca-Cola and the phrase "parayı bulmuşsun or çocu". This implies that the person being referenced in the tweet (either by scofield, or a reply to the tweet) is acting as if they have found money, and is now enjoying themselves. The humor comes from the juxtaposition of a luxury item like a BMW (implying a higher social class/financial status), and the relatively inexpensive enjoyment (or frivolity) of buying a bottle of soda. The overall meaning (in a satirical way) is that the person being referenced is acting as though they have suddenly acquired wealth, making an extravagant show, and is acting in a way that is not consistent with their assumed previous circumstances. The Coca-Cola is presented as a very simple pleasure that contrasts with the more significant luxury of the BMW. The phrase "parayı bulmuşsun or çocu" is Turkish and translates roughly to "You've found money or you're (acting like) a child/kid". The implication is that someone is either acting extravagant with newfound wealth or acting like a child who does not understand the value of money. scofield @tinercimayki sanki bmw ile story attık aq Hikayene yanıt verdi biraz keyif yapalım 2 KAPAK GETRDES ORIJINAL Coca-Co...

The photo shows a WhatsApp conversation between Sami Hoca (Mr. Sami) and a student, likely about school absence. The joke, in Turkish, revolves around the student's excuses for not attending school. The student claims to be working hard (çalışıyorum), tired (yoruldum), and that his father lost his job (babam işten çıkarıldı). These excuses are given in a slightly ironic way, as if the student is making these claims to avoid responsibility for their absence from school. The humor comes from the student's seemingly non-serious attempts to explain his absence by claiming these reasons, which are portrayed in an almost humorous way, while the teacher is clearly concerned. The seemingly nonchalant addition of football results (Karisruhe-Aue Ms2, etc.) further emphasizes the student's lack of direct attention to the issue of school. The final message ("Bundan sonra okulu ihmal etme") further reinforces the idea that the student's excuse isn't serious. In short, the joke plays on the typical, sometimes unconvincing excuses given by students when they don't want to attend school. Sami Hoca çevrimiçi 7 KASIM 2019 BUGÜN Bu sohbete gönderdiğiniz mesajlar ve yaptığınız aramalar artık uçtan uca şifreleme ile...

The image is a tweet. The tweet, posted by a user named "Kamil Hoca," contains an offensive statement in Turkish. **The tweet's content:** The tweet says: "Kamil Hoca and the bigots (Yobazlık). He asked a prostitute where the child was, and she said 'to buy an orange jacket, he'll be back soon.'" **The Joke (and its offensiveness):** The humor, or rather, the *intended* humor, is based on the use of vulgar language ("Orospuya" meaning "to a prostitute") and the implicit suggestion that the child is in the company of a prostitute. The statement, in its entirety, is a very crude and offensive way of relating a seemingly trivial detail. **Why it's offensive:** The tweet uses extremely offensive and demeaning language to depict a situation. The joke relies on the idea that the person talking is a misogynistic person and that a woman would potentially be involved with the child in a negative or inappropriate way. The speaker assumes a negative character and is degrading to the women involved, which is unacceptable and harmful. This isn't actually funny, but rather expresses a harmful viewpoint. It is harmful because it suggests a stereotype that women are unreliable and potentially dangerous. Kamil Hoca İle Yobazlık Vakdi @kamilhoca_31 ARESBET 50TL HEDİYE Orospuya sormuşlar çocuğun nerde diye turuncu mont almaya gitti...

The image is a tweet. A user named "mirkan" (@mirkovich_) is asking a question in Turkish, "en türkiye özelliğiniz ne? ben hep zor süreçlerden geçiyorum". This translates to: "What's the *specific* difficulty of Turkey? I'm constantly struggling with the processes here." The joke is in the implied contrast between the broad statement about Turkey and the speaker's personal struggles. The question implies that the speaker feels Turkey has some inherent, peculiar challenge that makes everything difficult. It's a common way to express frustration or cynicism about a particular situation, in this case, life or bureaucratic hurdles in Turkey. The tweet likely aims to elicit relatable responses and commiseration from others experiencing similar frustrations or perhaps even humor. menşınlayalım https://t.co/atjuqKtVzT mirkan @mirkovich_ en türkiye özelliğiniz ne? ben hep zor süreçlerden geçiyorum Güncel...

The image is a tweet, likely from a social media platform like Twitter. It's a humorous, somewhat cynical observation about the experiences of the Z generation (Gen Z) in Turkey. **What's in the image:** The tweet, posted by a user named Üzo, lists a series of major events and crises that have occurred during the time period associated with the Z generation. It mentions a military coup attempt, the Gezi Park protests, the devastating wildfires in the Aegean region, the COVID-19 pandemic, an economic crisis, the Feto movement (a Turkish religious-political group), a large influx of refugees, and devastating floods and earthquakes. **The Joke (in Turkish):** The joke lies in the sarcastic contrast between the multitude of serious events and problems the Z generation has experienced and the final line: *"Sadece ve sadece eğitimi göremedi..."* (Only and only they couldn't see education.) The implication is that, despite all the significant events and turmoil, the biggest and most fundamental problem for this generation may have been the quality of or availability of their education. It's a commentary on the perceived lack of preparation or inadequate support for education and future opportunities in the face of these enormous challenges. It's highlighting a sense of profound helplessness and concern about the broader socio-political and economic climate. Essentially, the tweet is saying that all these significant events are part of their lives, but in the end, the most tragic part of their experiences is the seemingly missed opportunity to succeed in education and future life. Üzo @uzeyironline SLOTBAR.COM Z kuşağı darbeyi gördü, Taksim'de patlamayı gördü, Ege'de orman yangınlarını gördü, pandemiyi...

The image shows a tweet from a user named "şeyma" (@yamuksacliikiz). The tweet's content, in Turkish, is: "bu bağış yapanların oğullarının instalari da alt yazı gecseler keske" This translates to: "I wish the children of those who made donations would have subtitles/closed captions on their stories (on social media)." The humor comes from the juxtaposition of the sentiment with the presumed context. It's likely that the tweeter is referencing posts from people who are giving a lot of donations and/or posting about donating, then the posters' social media posts (which are often stories with text) will suddenly show the children of these donors on screen. The implication is that people donating might do so in an ostentatious or self-promoting way, and the "children" in question might be associated with that, leading to the tweet's slightly sarcastic or wry tone. The user is essentially implying that the content is in poor taste or is too much. The phrase "alt yazı gecseler keske" (if they had subtitles, it would be better) adds a humorous, slightly exasperated tone. K şeyma Tweet dizisi @yamuksacliikiz SLOTBAR.COM bu bagis yapanlarin ogullarinin instalari da alt yazi gecseler keske 22:37...

The image is a Twitter post. The user, OZGE, is complaining about a relative (teyze). The joke, in Turkish, is a humorous, albeit somewhat disrespectful, observation about a person's religious practices. The tweet says: "I was praying, my aunt moved the prayer mat (seccade) and said someone else will do the prayer. May Satan kill them." The humor comes from the implicit contradiction. It is a sarcastic statement. A person who moves prayer mats is not in fact fulfilling religious duties, so the person who moved the prayer mat is not praying. The phrase "may satan kill them" is a very strong expression of disdain and disbelief. The tweet is expressing the frustration and mocking of someone not taking their religious duties seriously. It uses a hyperbolic expression to emphasize the complaint. OZGE @ozgegmnn Namaz kılıyordum teyzenin biri seccadeyi katla şeytan namaz kılar dedi.. e kılsın 09:51 ÖS 19 Ara 21 saatinde ...

The image shows a series of tweets on a social media platform, likely Twitter. Different users are commenting on various topics. The joke is implied in the final tweet, and it's a mixture of frustration, sarcasm, and absurdity. Let's break it down: * **"NE DEMEK KİME GÖRE GERİZEKALI NE DEMEK KİME GÖRE??? YASAYA GÖRE??? HATTA BİLİME GÖRE AMINA KODUMUN RÜVEYDASI BEYNİNİ ÇALIŞTIR BİRAZ KANCIK JELİBON"** This translates to: "WHAT DOES 'DEPENDING ON WHO' MEAN? WHAT DOES 'DEPENDING ON WHO' MEAN??? ACCORDING TO THE LAW??? ACCORDING TO SCIENCE??? MY BRAIN, MY DREAM BRAIN, WORK A LITTLE BIT, CANDY JELLY BEAN." The humor comes from the juxtaposition of seemingly serious questions about standards (law, science) with the absurd, almost nonsensical "my brain, my dream brain, work a little bit, candy jelly bean" part. It's an expression of frustration or disbelief about the situation discussed. It implies that the speaker feels that a situation is illogical or that the reasons behind it are inadequate. The "candy jelly bean" part is very unlikely to be the cause of the speaker's predicament and thus it's comedic. Essentially, the tweet is using hyperbole and absurdity to express a feeling of perplexity and frustration about the seemingly arbitrary nature of the topic being discussed. Other tweets in the thread are from other users and seem to be unrelated to the central joke, contributing to the context of the conversation but not being part of the joke itself. Özlem @ozlemdeburda - 13 sa 21 yaşındayım 16 yaşındaki bir çocuğa aşık oldum 1.099 1.105 Witcher @Witcherland · 9 sa Sübyans 1...

The photo shows a Twitter exchange. "Tek @kelimeburc" is posting about the zodiac sign Capricorn (Oğlak). They're making a somewhat cynical and perhaps overly dramatic statement about someone giving up on expressing their feelings. Then "Yusuf @YusufAltnkk" replies, using the profanity "amk" and a derogatory phrase "orospu çoçukları" (literally: "whore children"). This is not a neutral term. The reply is mocking the original post's sentimental/overly-positive tone about the zodiac signs, and the whole point is to be aggressive and dismissive. The question "hangi ay doğdu" (in what month were they born) is sarcastic, as if the person is trying to reduce someone's character to a month of birth. In short, the humor is in the aggressive and disrespectful response to a seemingly sentimental, but possibly insincere, comment about the zodiac. The use of the extremely vulgar and offensive language is the core of the joke's offensiveness. Tek @kelimeburc - 1 sa Oğlak: • Birisine derdini anlatmayı çoktan bıraktı. -Genelde her şeyi içinde yaşar. -Yaşanmışlıkları çok...

The photo is a tweet. The tweet, in Turkish, is a humorous observation. The tweet's author, "kurumus bogazım" (My throat is dry), is complaining about a lack of conflict among girls. The phrase "Kızların halı saha yapmaması fiziksel özelliklerden kaynaklanmıyor" (Girls not playing halı saha isn't due to physical traits) is the punchline. The joke lies in the implication that, despite the seeming lack of conflict, the author believes that there are *actually* reasons that girls are not playing together in a team sport/social setting called "halı saha" (roughly translated as "carpet field", a common informal area for sports and social gatherings). The final line, "herhangi birinin bir diğeriyle sorunu olmayan 14 kız yok" (There are no 14 girls who have no problems with each other) is the humorous exaggeration that drives the point home. It implies that even if there were no explicit conflicts, there are likely hidden, nuanced, and unspoken reasons for the lack of camaraderie. The tweet is poking fun at the idea that interpersonal dynamics can be complex and nuanced, even among seemingly amiable groups. Ahahahahahahahahaha https://t.co/TU7Fwi74hh kurumus bogazım @kuruduktamamen Kızların halı saha yapmaması fiziksel...

The photo is a tweet, likely from a social media platform like Twitter. It's a humorous observation about a common TikTok trend. **The Joke (in Turkish):** The tweet is poking fun at the often-absurd and sometimes embarrassing content seen on TikTok. It describes a scenario where a young person posts a ridiculous video. The parents, seeing it, are expected to react with disapproval. But the tweet cleverly turns that expectation on its head with the comedic twist. Instead of disappointment or disapproval, the parents' reaction is exaggerated into an over-the-top physical display. The joke lies in the absurd contrast between the expected response and the comical action of the parents doing a somersault from kitchen to living room. The humor comes from the unexpected and exaggerated reaction, and highlights the often silly nature of social media content. The humor also rests on the idea of parental disappointment being exaggerated to a ridiculous degree, but portrayed in a lighthearted manner. Mr.Nobadi @MisterNobadi METROBAHIS Tiktok'ta bir gencin saçma sapan hareketler yapan videosunu izledikten sonra yazık annesi...

The image is a screenshot of a social media post, likely Twitter. A person (presumably female) is showing a bruised neck. The accompanying text suggests that the person is experiencing a difficult situation, possibly abuse or violence. The text also implies a feeling of helplessness and the difficulty of sharing the situation with others, including family. The joke, if there is one, is dark and plays on the victim-blaming tendency to question the victim's behavior or choice when they are suffering violence. The question "sansarla mı sikiştin bu boğazının hali ne aq" (Did you have sex with a wild animal, what's wrong with your throat?) is a highly inappropriate and cruel question, implying that the bruising is caused by an activity, not violence. It's designed to make the situation even more difficult and shameful for the victim. The user's response, "bizim neyimiz var pardon" (What do we have, pardon?) and the rest of the text further emphasize the distress and inability to speak openly about the issue. The tweet is a disturbing and potentially dangerous example of online bullying and the perpetuation of harmful narratives. It is important to be aware of the dangers of victim-blaming and to take any reports of abuse seriously. RK @onbirkursun. 3 sa sansarla mı sikiştin bu boğazının hali ne aq SLOTBAR.COM bizim neyimiz var pardon 18 sa ● cok belli oluyor...

The image is a tweet, likely from a social media platform like Twitter. The tweet's text in Turkish says: "y erkektir yarragin y sinden akliniza gelsin" which translates to "Y is male, Y is female, think about it." This is a humorous, albeit crude, statement. The accompanying photo shows two bathroom stalls, one with a large "Y" and the other with an "X" displayed on the doors. The second part of the tweet, attributed to another user, is: "biyoloji bilmeyen de işemesin bi zahmet" tuvaleti" which translates to "those who don't know biology, don't use the toilet." The joke plays on the association of "Y" with female and "X" with male. It's meant to be a sarcastic and humorous commentary on someone suggesting that people who don't understand biological sex differences should not use restrooms. The implication is that the author of the tweet is mocking the previous tweet as being absurd and ignorant. The humor comes from the juxtaposition of the seemingly simple and gendered restroom signs and the underlying implication of the tweet's message. fikri @Vercetti67 y erkektir yarragin y sinden akliniza gelsin Translate Tweet SLOTBAR.Com D. @BiraGobegi01 "biyoloji bilmeyen...

The photo is a tweet. It's a humorous anecdote about a relationship. **Description:** The tweet, written in Turkish, tells a story about the speaker's ex-boyfriend who was held hostage/kidnapped by a group (presumably a criminal organization). The speaker's ex-boyfriend was held for 101 days. Once freed, they had a celebratory meal. During the meal, the ex-boyfriend remarked that even the criminal organization could prepare better food than the speaker. **The Joke (in Turkish):** The joke lies in the unexpected and slightly sarcastic/bitter comment the ex-boyfriend made about the food. It highlights the absurdity of someone who was in danger, held captive, and likely endured significant hardship, yet the biggest complaint was about the meal. The speaker uses this to express a sense of being treated badly. The humorous twist is that the speaker's reaction might not be entirely justified, given their ex-boyfriend's predicament. **In essence:** The joke plays on the contrast between the serious situation of being held captive by a group and the trivial complaint about food quality, creating a humorous paradox. Gülşah ÖĞDÜ @gulsahogdu Güncel Adres KULISBET giris.link Eski sevgilim 101 gün bi örgütün elinde rehin tutulmuştu. Serbest...