The photo is a comic strip, likely from a Turkish magazine. It depicts a man who is 55 years old and has black hair. He is shown thinking, and a thought bubble says "düşünmeyeceksin" (you won't think). Another thought bubble has "Hmm..." The joke plays on the contrast between the man's age and his assertion that he won't think. The implication is that a 55-year-old man, with potentially accumulated life experience, is unlikely to simply stop thinking. This is emphasized by his expression and the other phrase "55 yaşındayım ve Saçlarım Simsiyah" (I'm 55 years old and my hair is black), which adds a lighthearted touch. It suggests a somewhat naive or humorous belief that age necessarily means one loses the capacity for thought. The title "aylık felsefe dergisi" (monthly philosophy magazine) further adds to the comedic effect, as the content contradicts the supposed lack of thought in the comic's subject. Akıl sağlığını korumanın tek yolu.. https://t.co/zHDXpGXPpk 55 yaşındayım ve Saçlarım Simsiyah düşünmeyeceksin m 090 000 EN...

The image is a hand-drawn cartoon. It depicts a few characters, likely soldiers, in a style reminiscent of simple comic strips. The joke, in Turkish, plays on the current situation and recent events in Syria and the devastating earthquake in Turkey and Syria. The speech bubble says: "Dude, it's been a long time since we've heard from you about Syria. We were worried. We came, so what's up? Are we mad at each other?" The character in the orange jacket, speaking in the second part of the speech bubble, says "My dear, I'm now an earthquake expert." The humor lies in the incongruity. The speaker is implying that the speaker's focus is *now* on earthquake expertise. While one expects someone might be worried about Syria, the sudden shift to expertise in earthquakes comes as a surprise, and perhaps a sarcastic comment on the urgency and priority of the earthquake disaster compared to the continuing situation in Syria. The joke is making light of how the earthquake has dominated the news and people's minds and discussions. Deprem uzmanı herbokolog istihdam edilecektir. (Müracaat: Orhan TV) https://t.co/tSwHB05KwM Abi uzun zamandır Suriye konusunda...

The image shows a tweet from BBC News Türkçe about the death of Sabih Kanadoğlu, a former Chief Public Prosecutor of the Turkish Republic. Below the tweet, there's a cartoon image. The joke, in Turkish, plays on the idea that despite Kanadoğlu's prestigious role as a constitutional law professor, he's portrayed in a comical, almost ridiculous light. The cartoon depicts him dancing energetically in a way that suggests an exaggerated, unexpected, and perhaps inappropriate enthusiasm. The text in the cartoon says things like: "The Constitutional law professor Sabih Kanadoğlu even got excited" and "Dancing alone far from home." This implies a stark contrast between his formal role and his portrayed (and possibly exaggerated) actions. The humor comes from the juxtaposition of Kanadoğlu's serious profession with the lighthearted and somewhat chaotic cartoon depiction, suggesting that even distinguished figures can sometimes behave in unexpected ways or have an element of the absurd in their lives. Umut, rahmetliyi de çizmiş. #SabihKanadoğlu https://t.co/TlevzBcUqL BBC NEWS BBC News Türkçe @bbcturkce Yargıtay Onursal...

The image is a tweet, likely from a Turkish news account. **Image Description:** The tweet shows a picture of Serdar Hüseyin Yıldırım, the head of Turkey's Space Agency, giving a press conference. The tweet itself contains a statement about potential weapons systems and their supposed ability to trigger earthquakes. Below the main image and text, a cartoon-like drawing is present. This caricature depicts a man in a dark robe, appearing to be giving a speech, with a speech bubble saying "BU NE BİLİMSİZLİKTİR" (What kind of nonsense is this?). **Explanation of the Joke (in Turkish):** The joke plays on the absurdity of the statement made by Yıldırım. He is claiming that weapons can trigger earthquakes. The cartoon caricature, with its expression of disbelief and the phrase "BU NE BİLİMSİZLİKTİR," satirizes this idea, labeling it as nonsensical. Essentially, the cartoon is saying "what a ridiculous claim!" mocking the possibility of weapons triggering earthquakes. The context is the press conference and Yıldırım's reported statements; the cartoon adds visual humor to the criticism of his claims. Bu ne bilimsizliktir.. https://t.co/9alGcSCAq3 Who? TONU @who98408150 Türkiye Uzay Ajansı Başkanı Serdar Hüseyin Yıldırım:...

Fotoğrafta, bir karikatür çizimi ve onun altında listelenmiş yazılım geliştirme iş ilanında aranan nitelikler yer alıyor. Karikatürde, bir adam içki içiyor ve sanki çok yorulmuş ve şaşkın görünüyor. Başının üzerindeki baloncuk içinde "Gel bi de beni sük..." diye yazıyor. Bu, belki de yoğun ve karmaşık bir yazılım iş arama süreciyle karşı karşıya olduğunu, gerekli niteliklerin çok fazla ve zor olduğunu ima ediyor. Aranan nitelikler listesi, yazılım geliştirici için çok yüksek ve kapsamlı bir beklenti oluşturuyor. Karikatürdeki adamın ifade ettiği gibi, bu kadar çok niteliği bir arada sağlamanın zor veya imkansız olduğunu, "Gel bi de beni sük..." diye ifade ediyor. **Joke (Şaka) Açıklaması:** Şaka, yazılım sektöründeki yüksek beceri ve deneyim beklentisiyle ilgili ironik bir yorum. İlan edilen pozisyonlar için talep edilen nitelikler o kadar kapsamlı ve spesifik ki, karikatürdeki adam gibi potansiyel adaylar kendilerini bu kriterlere uyumlu olarak yetiştirme konusunda zorlanabilir veya umutsuz hissedebilir. Şaka, bu yüksek taleplere karşı bir esprili ve biraz da abartılı bir tepki sunuyor. İş pozisyonu: Junior Software Engineer Meali: Asgari ücrete çalışacak Mark Zuckerberg arıyoruz. https://t.co/q6mtOm2Ulw Gel bi...

The image is a cartoon. Several people are depicted in a scene that appears to be a city or urban environment. One of the main characters is being held or restrained by others. There's a banner that reads "Sizin yapacağınız işi skilim!" **Joke Explanation (in Turkish):** The joke likely plays on the common phrase "Sizin yapacağınız işi skilim!" (literally translating to "I'll ski what you're going to do!") This phrase is an exaggerated expression of disbelief or mockery about the subject's actions. The visual of people being held or seemingly restrained enhances the comedic effect of the phrase. The implied meaning is that the person (or people) being held are trying to do something foolish, impractical, or are incapable of doing the task at hand. They may be failing at something that others can do with skill and efficiency (implying a construction site with the buildings in the background) The humor comes from the juxtaposition of the casual or even flippant statement "I'll ski what you're going to do" with the image of people struggling or being restrained, illustrating that what they're trying to do is improbable or unsuccessful. #altılımasa https://t.co/SM3bAmrZtg SIZIN YAPACAĞINIZ işi SKiim!! W mil SAKI Kaynak

The image is a cartoon depicting a political discussion/argument. **Visual Description:** Two cartoon characters are shown, one with a somewhat disheveled appearance, holding a cigarette. The other character, is more serious-looking and also holding a cigarette. Speech bubbles are showing their dialogue. The cartoon has a Turkish title, "SİYASİ TARTIŞMA" (political discussion) at the top, and "SİYASİ TARTIŞMA BİTTİ..." (political discussion is over...). **Joke Explanation (in Turkish):** The joke plays on the common experience of political discussions. The dialogue implies the following: * **"GÖRECEKSİN BAK, BU İŞE KARIŞMIŞ KİM VAR KİM YOK HEPSİNİ S.KECEKLER... HEPSİNİ!!"** (You'll see, everyone involved in this will be punished/destroyed...everyone!) This suggests the speaker thinks the political debate/argument is intense and everyone involved will be severely affected. * **"BU İŞ ÖYLE KOLAY DEĞİL ABI... DİĞERLERİNE BENZEMEZ... BENCE SKEMEYECEKLER"** (This isn't easy, man... It's not like the others... I think they won't be defeated/convinced.) The second character counters the first character's extreme view by saying it will be more complicated than assumed. The humor comes from the contrast between the first speaker's extremely negative outlook and the second's more realistic and cautious perspective. The final speech bubble "SİYASİ TARTIŞMA BİTTİ..." ("The political discussion is over") implies that the argument may not be as simple as the first speaker suggests. The cartoonist likely uses smoking as a stylistic device, possibly to suggest a casual and relaxed, yet argumentative atmosphere, or as a symbol of the intensity of the debate. The "ehe" sounds (possibly from the cartoon character) further adds a comedic touch, perhaps signaling an undercurrent of sarcasm. In short, the joke is about the different and often exaggerated views people have about political debates/arguments. The ending suggests that things are not as simple as one might initially think, and that a definitive resolution or "convincing" is not always guaranteed. Ülke gündemi.. https://t.co/5vvMJDY0Ae SİYASİ TARTIŞMA Bu iş ÖYLE KOLAY DEĞİL ABI... DİĞERLERİNE BENZEMEZ.. BENCE...

The image is a cartoon, likely a political caricature. It depicts a woman, dressed in a colorful, somewhat eccentric robe, holding a pack of pills. A speech bubble above her head says "CHP'YE OY VERE VERE ERMİŞ OLDUM... HİÇ BİR FANI BU KADAR ÇİLE ÇEKEMEZ... TEŞEKKÜRLER CHP..." The joke, in Turkish, plays on the phrase "CHP'ye oy vere vere..." which translates roughly to "by giving vote after vote to CHP..." The implication is that the character is so worn out from supporting the CHP (the Republican People's Party, a major political party in Turkey) that they are now overwhelmed and exhausted. The cartoonist is likely satirizing the apparent struggles of the CHP or a perceived sense of voter fatigue. The woman holding pills could also be a humorous take on the concept of political exhaustion. The humor comes from the exaggeration and the visual elements, like the character's attire, which add to the whimsical and satirical nature of the cartoon. Diyar diyar gezdim, oy topladım. Herkese gittim, asla korkmadım. Seçim günleri gene cortladım. Onulmaz dertlere saldı CHP,...

The photo is a comic strip. Two characters are depicted, one bald and wearing a green sweater, and the other with dark hair and a reddish-orange jacket. The bald man is speaking, and a speech bubble shows a short, somewhat frustrated, and sarcastic message. The other man appears to be reacting to the statement. The joke, in Turkish, plays on the perceived difficulty or impossibility of comprehensively criticizing and changing societal values (represented by phrases like "dünyanın bütün değerlerini"). The bald man's message implies that attempting to summarize, critique, and improve social values in a single statement is futile or absurd. The phrases, "Sosyalizm", "Bilim", and "Sanat" (socialism, science, and art), are mentioned to represent broad areas of societal ideals. The phrase "Onu bunu bırak da MAYIŞtan haber ver..." (leave that, give us news from MAYIS), suggests potentially an impatient dismissal of complex social commentary. The ending phrase is sarcastic and suggests the other man is not impressed by the superficial critique. In short, the humor arises from the idea that trying to encompass and change all societal values with a simple statement is absurd and naive. The MAYIŞ (May) part of the sentence might also add a touch of sarcasm regarding specific political movements or periods. Herşey sende anlamsızlaşıyor ey Mayış.. https://t.co/NBdgFEoA0e Tek cümleyle dünyanın bütün değerlerinin mina koyamazsın...

The image is a table and a cartoon. The table (Tablo 3) shows damage assessment and casualties in the Hatay province of Turkey after an earthquake in 2019. It lists the number of buildings damaged or destroyed (different categories of damage) and the number of people affected. The cartoon depicts a man with a rather exaggerated and comical appearance. He's saying something that implies that the person speaking about the earthquake and the damages (presumably a scientist or expert) is not credible. The words "Bilime güvenecez", "bilim adamı", "zart zurt etmiyoruz", "Adam okumuş sonunda," "Biliyo, senin benim gibi it köpek değil," suggest a commentary on the trustworthiness of experts or scientific pronouncements. The cartoonist is mockingly implying that the expert's statements about the earthquake are not to be taken seriously. The joke is based on the contrast between academic/professional pronouncements, and the idea that someone with more experience in life would know better. It's a humorous take on experts' pronouncements, suggesting they may be overly technical or simplistic in understanding the general public, or even that they aren't taking into consideration the daily life realities of the impacted people. The "it köpek" (literally "it dog") part is a colloquialism used to insult people who are considered stupid, foolish, or inconsiderate. Hatay Mustafa Kemal Üniversitesi Öğretim Üyesi Ali Utku Şahin’in 2020 yılına ait makalesinden.. “Hatay’da 7.5 şiddetinde meydana...

The image is the album cover for a band or artist called "Elyn." It features a cartoonish, lime-green figure that appears to be smoking a cigarette and wearing a sombrero. The style is very simplistic and slightly surreal, with bold outlines and bright colors. The joke, if there is one, is likely based on the unusual and perhaps slightly provocative imagery. The character, with exaggerated features and the act of smoking, could be seen as humorous in a slightly absurdist, or even ironic way. The image is not meant to be taken literally. In Turkish, a simple way to describe the humor would be: **"Tuhaf ve absürt bir şekilde, uyuşturucu kullanımı temasıyla ironik bir ifade."** This translates to: "An unusual and absurd expression, ironic in its depiction of drug use." Or, if you want something more playful: **"Elyn albümünün kapağı, garip bir figürü ve eylemiyle biraz absürt ve komik bir mesaj veriyor."** This translates to: "The Elyn album cover conveys a somewhat absurd and humorous message with its strange figure and actions." It's difficult to be precise about the joke without more context, but these phrases capture the possible interpretations of the visual humor. The image is a comic strip, likely from a Turkish cartoon or comic. It depicts two characters: a green, somewhat alien-like creature, and a woman with a somewhat exaggerated figure. The text is in Turkish. **Description:** The green figure is aggressively grabbing the woman's arm, while she looks annoyed and a little frightened. The speech bubbles contain dialogue that strongly suggests a humorous, potentially sarcastic, interaction. **Joke Explanation (in Turkish):** The joke centers around the concept of unwanted or questionable friendships. The alien-like creature is asking "ALP KIM?" (Who is ALP?), suggesting uncertainty about the nature of the connection. The follow-up question "KIM OLLIYOR DA SANA ARKADAŞLIK YOLLUYOR?" (Who is sending you friendship?) implies the woman is being pressured into a friendship she doesn't want. The response from the woman ("YA SEN VAR YA GERÇEKTEN RUH HASTASISIN...") is sarcastic, implying the other person is crazy or ill. The conclusion ("BEN NE BİLİM YOLLAMIŞ İŞTE!") ("I don't know who sent it.") further emphasizes the absurdity of the situation and the speaker's lack of control. **In short:** The comic is humorous because it portrays a ridiculous and unwanted attempt at friendship. The implication is that the alien character is trying to force a relationship on the woman, and she's expressing disbelief and frustration in a sarcastic way. The image is a comic panel, likely from a Turkish cartoon or comic strip. It depicts two characters. One, green and somewhat grotesque, is blowing or spitting something. The other character, lighter in color, appears to be reacting to this action. The text, in Turkish, reads: * **FEYSTEN ÇIKACAKSIN ÖZGE!** - "You're going to come out of the [something/place] Özge!" (Implying a forceful expulsion) * **GİRMEYECEKSİN!** - "You won't come in!" (Contrasting with the previous line) * **HMM TABİ TABİ ÇIKIM.** - "Hmm, of course, of course I'm leaving." (The character seems to agree to the expulsion) * **GIKICAKSIN TABIEEE SQUERK!** - "You're going to squirt, definitely SQUERK!" (A sound effect/onomatopoeia representing a loud, perhaps humorous expulsion) **The Joke:** The joke relies on a playful, exaggerated scenario. The first character is forcefully telling Özge (the second character's name) to leave. Özge seems to be reluctantly complying. The implication is of an expulsion from a place or situation. The final line, with the "squirk" sound, adds a comical element. The whole thing implies a teasing, humorous situation, not a serious or threatening one. The image is a comic strip, likely from a Turkish newspaper or magazine. It shows two cartoon characters. One is a somewhat grotesque, green creature holding a lit cigarette. The other is a woman with exaggerated features, large lips, and a large build. The woman is wearing a pink dress. The text, written in Turkish, is a conversation (or monologue from the woman). It essentially says: "I only use Facebook for communication purposes. I gave him my password, check... I sent this guy a response. Check my messages. Yahoo password cracked, Hotmail password cracked." **The Joke:** The humor comes from the implication of a *social engineering* scam. The woman, likely portrayed as a malicious or clueless character, is bragging about giving someone her passwords. The green creature (often a comedic, skeptical character) is smoking and possibly reacting to her words (through the visual). The use of words like "password cracked" and the implication of multiple email accounts being compromised highlights the absurdity of her actions. The woman's willingness to share her passwords reveals a lack of understanding of online security. In short, the joke is about online security and the dangers of trusting strangers with personal information. It satirizes those who are careless with their passwords and exposes the vulnerability to social engineering tactics. Özge Elyın Türkyılmaz https://t.co/K3l8ebsvid رد (( elyin ALP KIM ULAN! ALP KIM! KIM OLLIYOR DA SANA ARKADAŞLIK YOLLUYOR? hi...

The image is a comic strip, likely from a Turkish newspaper or magazine. The panels depict a humorous situation about the difficulties and hardships associated with the Islamic religious holidays, specifically emphasizing the consumption of sweets ("şimdi") and the associated struggles or experiences. **Panel 1:** A character is questioning whether it's a *Regaip* or *Berat* night (two important Islamic nights). Another character, depicted as a skeleton (possibly a humorous representation of death or a person who is being affected negatively by the situation), reacts to the question. **Panel 2:** A figure is receiving something, a box likely containing "şimdi" (Turkish for a type of sweet bread). The skeleton appears to be struggling or having a difficult time in receiving and consuming it. A commentary is present with a dialogue about the hardship experienced by the character. **Panel 3:** The subsequent panel shows the continuation of the "şimdi" eating or receiving experience, highlighting the difficulties or struggles involved. Text emphasizes the character's suffering. **The Joke (in Turkish):** The humor stems from the exaggeration of the unpleasantness and hardship associated with the abundance of sweets during religious holidays. The comic strip satirizes the cultural expectation of consuming large quantities of these treats, which can be very taxing or even cause some discomfort. The image of a skeleton further emphasizes the negative impact on the character's well-being. The overall message is one of lighthearted mockery of the social custom without outright criticism or harm. The use of "şimdi" to represent these sweets is a cultural and linguistic element which would be better understood by Turkish speakers. The tone is light-hearted and satirical, not critical. Kandil Geleneği.. #MiracKandili https://t.co/jOXKi8rRtI YAA BEN BU KANDILLERI HEP KARIS. TIRIYORUM. DORT KANDIL VAR DINIMIZDE...

The photo is a comic strip, likely from a Turkish newspaper or magazine. It depicts a series of dialogue bubbles illustrating a common theme of frustration and misunderstandings, particularly in online interactions and relationships. The Joke (in Turkish): The joke plays on the frustrations of modern communication and interpersonal relationships, especially those that occur online. The main character, or one of them, is expressing disappointment and confusion about the communication style of their partner or someone they're interacting with online. The comments express: * **Online communication issues:** The first part highlights the frustration of receiving messages from someone who is unavailable or not responding in a manner the sender expects. This is often about disappointment over someone who isn't being honest or open. * **Relationship problems:** A second theme arises of the difficulty of understanding and navigating relationships. It shows the struggle of trying to understand the intentions of others and why they behave in particular ways. * **Social judgment and expectations:** The humor stems from the character's feeling that the other person is behaving abnormally or in a way that deviates from societal norms. They wonder if the other person is not acting normally and why. It highlights the often unrealistic and exaggerated expectations people have. * **Rejection:** A part of the humor comes from the underlying feeling of potential or implied rejection. The character seems to be expressing disappointment and frustration about the other person not meeting their expectations or possibly a fear of their actions being rejected. * **Expression of frustration:** The exaggerated reactions (e.g., "YA KIZIM NE BAKICAM" or the shouting "SKERIM BEN O ALP'i!") are meant to convey the character's frustration in a humorous way. In short, the joke skewers the common experience of online interactions and relationship complexities in a humorous way. The use of colloquial language and exaggerated expressions adds to the comedic effect. The image is a comic strip, likely from a Turkish newspaper or magazine. It depicts a somewhat grotesque-looking, green, almost alien-like creature with tentacles, seemingly attempting to console a female character who looks distressed or upset. The dialogue suggests a scenario where the alien-like creature is apologizing profusely ("Özür dilerim") to the female character, and pleading with her not to cry ("Hayatım... nolur ağlama"). He's trying to gain her trust ("Beni çok üzen bir insansın. Azıcık güven bana..."). The female character, in turn, expresses some level of trust ("Güveniyorum hayatım..."). She then responds by suggesting a collaborative solution ("O zaman söyle yapalım. Bi önerim var!"). The joke, therefore, is somewhat subtle. It plays on the odd, almost surreal, relationship between the two characters. The bizarre appearance of the alien creature creates an unusual dynamic. The humor comes from the contrasting imagery and the implied, possibly inappropriate, nature of the situation. The female character is not reacting to a simple apology and the "solution" she proposes is somewhat suggestive given the context. The humor hinges on the unexpectedness of the interaction and the unlikely nature of the characters. The somewhat inappropriate or even creepy elements of the interaction contribute to the overall comedic effect. The characters and the situation are clearly intended to be humorous, playing on the absurdity and surrealism of the scenario rather than on a simple literal level. The use of "mhes mucs" (which doesn't appear to be a meaningful word) in the image further emphasizes the surreal quality. The image is a cartoon. A man, Alp, is at home, lounging in front of a laptop. His feet are up on the table, and he's using a computer. The laptop screen shows a Facebook page with a post about Özge Elyn Türkyılmaz (possibly a celebrity or public figure) sharing a video. A thought bubble above Alp's head says "Bütün tadımı kaçırdı bu ortak hesap..." which translates to "He lost all the fun of this shared account." The humor comes from the contrast between the casual, almost disrespectful, way Alp is using the computer (feet on the table, casual clothes) and the implication that he's sharing a Facebook account with someone else. The thought bubble shows he feels the fun of social media (or the video) is lost because of sharing the account. It's a common relatable observation about social media and sharing accounts in Turkey. The joke comments on the phenomenon of shared accounts and the loss of personal, exclusive enjoyment from social media use. YA KIZIM NE BAKKAM. BANANE SENIN MESAJLARINDAN... EV TELEFONUNDAN KONUSUN, SKERIM BEN O INTERNETI...BENİ BEŞ PARA ETMEYEN...

Ortamı kış insanlarına bırakın. https://t.co/VMsMjQth4i 73 TER BAK... DUYUYOR MUSUN?, YAGMURUN SESİ BU... CORABIN VE...

Bu fotoğrafta, "Şevki Sayışman" adlı bir kullanıcının Facebook paylaşımı görülüyor. Paylaşımda, "Eveeet bir devir bitti Türkiye'de mizah ölmüştür başınız sağolsun... 43 senelik balonculuk hayatımda ilk defa işsiz kaldım ne yazık ki kaligrafisini yaptığım UYKUSUZ dergisi yayın hayatına son vermiştir. Böylece bir sektör ve bir meslek bitmiştir işsiz kalan bir çok yazar çizer ne yapacağını bilmemektedir...Şimdilik yazacakalarım bu kadar kafayı toparlayınca gene yazacağım...Unutmayın vasıfsız işçi olarak iş aramaktayım...Şimdilik hoşçakalın..." yazıyor. Şaka, UYKUSUZ dergisinin kapatılması ve bunun yazarların işsiz kalmasıyla sonuçlanması üzerinden yapılmış. Şevki Sayışman, mizahın öldüğünü söyleyerek, derginin kapatılmasıyla mizahın bittiğini ve kendisinin de işsiz kaldığını esprili bir şekilde anlatıyor. Bin yıllık bir mesleğin, ülkedeki en iyi temsilcilerinden birisin ama yaptığın meslek bitiyor. Çok üzücü.. @sonkaligraf...

Resimde üstte gerçek bir haber programından kesit var. Program sunucusu, bir haber programından kesit göstererek "şu an gerzen kırşan'de bir et kombinesindeyiz... Burada gurbetçilerimize sağlıklı et sunan, 'n grisimizi' olan mehdi bey'le görüşücez... Kombin'de neler oluyor bize anlatır mısınız biraz?" diyor. Altta ise "Nuri" adlı çizgi roman kahramanının, bir et kombinesinde çalıştığını görüyoruz. "Nuri"nin kafası karışık, bir yandan et kombinesinde çalışıyor bir yandan da "hastir... TGRT Almanya'daki bandanali adam lan bu... Tüm zamanlar boyunca yer yüzünde en çekin diyom insan bu, karmaliyim..." diye düşünüyor. Şaka, haber programı ile çizgi roman arasındaki zıtlığı kullanarak, "Nuri"nin çizgi roman karakterine çalıştığı için bir haber programında sunulduğu ima ediliyor. Dış Hatlar programı sunucusu bandanalı adam* *Orhan TV arşiv https://t.co/6GAcZp845r Taro HASKTİR. TORT ALMANYA'DAK BANDANALI...

Resimde bir kazan içerisinde kaynayan bir adam çizilmiş. Adamın kafası dışarıda, elleri ise kazan içinde. Resmin altındaki yazı "Kırk yıl kazanda kaldım daha çıgsın dost dediler..." şeklinde. Şaka, adamın kırk yıl boyunca kazanın içinde kalmış olmasına ve hala hayatta olmasına dayanıyor. Bu, gerçekçi olmayan bir durum ve absürt bir şaka olarak algılanıyor. oo 000 fokur KIRK VIL KAZANDA KALDIM DAHA ÇİĞSİN DOST DEDİLER... Kaynak

Resimde bir zaman makinesi ve içerisinde üç kişi var. Zaman makinesinin üzerinde "Zaman Makinesi" yazıyor ve ayakları var. Zaman makinesi konuşarak "Bozmaz" diyor. Üstünde ise "Yalnız baştan söyleyim, zaman makinemiz sadece iki kademesi var... Günümüzle Kemal'in Kemal olduğu zamanlar arasında gidip gelebiliyoruz... Yalnızca bozar mı sizi?" yazıyor. Şaka, zaman makinesinin "bozmaz" demesine rağmen yine de bozabileceğini ima ediyor. Zaman makinesi insanları etkileyeceğinden ve zamanı değiştireceğinden, aslında "bozabilir" anlamına geliyor. Uykusuz'un Uykusuz olduğu zamanlardaki kadrosu (İlk aklıma gelenler) Umut Sarıkaya Memo Emrah Ablak Uğur Gürsoy Yetkin Gülmen...

DC'deki hali sakın unutma Tesla'ya dil uzatma sebepsiz Sen lambayı gene yakardın amma WiFi nedir bilemezdin şerefsiz.....

Resimde, "Barış Atay programında kaç işçi var" diye sormuş. Az el kalkıyor. Sonra işçinin tanımını yapınca başka eller de kalkıyor hahshah ah be beyaz yakalı. Şaka, beyaz yakalı işçilerin kendilerini işçi sınıfı olarak görmemeyi ve aslında işçi sınıfına ait olmadıklarını düşünmelerini ele alıyor. Barış Atay'ın sorusuna çok az kişinin el kaldırması, beyaz yakalıların işçi sınıfı ile özdeşleşmeyi reddettiklerini gösteriyor. Ancak, işçinin tanımının yapılmasıyla daha fazla kişinin el kaldırması, aslında çoğu kişinin kendilerini işçi sınıfına ait hissettiklerini ancak bunu kabul etmekte zorlandıklarını gösteriyor. Beyaz yakalılar SGK'lı işçi olduklarını ne zaman hatırlayacaklar.. https://t.co/WMRSTHKwhL Orhan Pamukov @agahpamukov Barış...