The photo is a still from the movie **Fight Club**. It shows Edward Norton's character, Tyler Durden, looking out a window, with equations and drawings written all over the glass. The joke, as it relates to the movie, is about Tyler Durden's character being incredibly intelligent, and obsessed with concepts such as math, philosophy, and rebellion. The abundance of scribbled equations and designs on the window reflects his chaotic and complex mind. The scene implies that his thoughts are not easily deciphered, and that his brilliance is coupled with a deliberate attempt to be enigmatic and unconventional. In Turkish: Resim, **Fight Club** filminin bir sahnesinden. Edward Norton'un canlandırdığı Tyler Durden karakteri, camın üzerine yazılmış denklemler ve çizimlerle dolu bir pencereden dışarı bakıyor. Bu, filmin Tyler Durden karakteri etrafındaki ironik ve kurmaca anlatım stilini yansıtıyor. Durden'in zihninin karmaşıklığını ve gizemli yönlerini, matematik ve felsefeye olan ilgisini, ve başkaldırıcı düşüncesini vurguluyor. Olay, Durden'in üstün zekâsının karmaşık düşünce biçimleriyle örtüştüğünü, ve onu anlaşılması zor ve sıra dışı bir karakter haline getirdiğini gösteriyor. A Beautiful Mind Üniversitede parlak zekasını her daim hissettiren ve çevresindekilerle uyum sorunu yaşayan dahi Nash,...

The image shows a scene from a movie, likely a surreal or cult film. It depicts a room with walls covered in a repeating pattern of plus signs. In the center of the room, a person dressed in a long black robe and hat sits in a ritualistic pose. Two women in white sleeveless tops are seated on either side of the central figure. Small, round objects, possibly offering items, are placed on the floor in front of each person. The "joke" or the humorous aspect (which is more likely a commentary on societal norms and power dynamics in this scene) is not immediately obvious from the image itself. It depends on the context of the specific movie and any dialogue that may be present in that scene. It is likely a satire of religious or cultural practices, or a commentary on oppressive authority figures. It's not a "joke" in the sense of a punchline, but rather a visual pun or satire that is meant to be interpreted within the context of the story. In Turkish, the best way to describe this is with context. Without knowing the film, the most accurate description is something like: "Bir film sahnesi, muhtemelen sürrealist ya da kült bir filmden. Duvarları art arda + işaretleriyle kaplı bir odada, merkezi bir figür uzun bir siyah cübbe ve şapka giyerek ritüel bir pozisyonda oturuyor. Ortadaki figürün iki yanında, beyaz ince askılı üstler giyen iki kadın oturuyor. Her kişinin önünde, muhtemelen sunu olarak kullanılan küçük yuvarlak nesneler bulunuyor. Bu sahne, belki bir dinî ya da kültürel uygulamanın ironisini ya da baskıcı bir otorite figürünün yorumunu, filmin bağlamında ele alabiliriz." This translates to: "A scene from a movie, probably a surreal or cult film. In a room whose walls are covered in repeating plus signs, a central figure is seated in a ritualistic pose wearing a long black robe and hat. Two women in white sleeveless tops are seated on either side of the central figure. Small, round objects, possibly offerings, are placed on the floor in front of each person. This scene, based on the context of the movie, may address the irony of a religious or cultural practice or comment on oppressive authority figures." Holy Mountain İsa benzeri bir karakterin, ruhani liderin dünyasına girip, gezegenleri temsil eden bir grupla tanışmasını konu...

The photo shows a menu, likely from a Turkish restaurant. It lists various pasta dishes ("Mantarlı Fettucini," "Kavuklu Mantarı Tagliatelle," "Dört Peynirli Tortellini") and then main courses ("Roast Beef Burger," "Newyork Steak," "Country Steak"). The prices are also listed in Turkish Lira (TL). There's no readily apparent joke *in the image itself*. Menus are common and straightforward. The humor, if any, would likely come from a context outside the picture – perhaps a commentary on the prices, the type of food, or a specific situation where this menu was being presented. More information is needed for a joke to be apparent. Without further context, there's no joke to explain in Turkish. Ferihanın pahalı diye hiçbir şey sipariş edemediği kafedeki fiyatlar https://t.co/irB4qFUCDg Kaynak

The photo shows two young men in a dorm room. One, a larger man with dark hair and a dark olive-green jacket, is holding a book and looking at the other. The other man, with light brown hair and a white shirt, is seated, seemingly listening or thinking about something. The room is cluttered and decorated in a quirky, almost goth-inspired style. The joke, in this context, is likely one of **body shaming** or **weight prejudice** (a humorous jab at body image). The larger man being the subject is a classic comedic trope in many movies, tv shows and sketches. The joke is implied and not overtly stated. It relies on the visual contrast between the two characters, and the likely awkwardness or discomfort in the setting to imply an underlying commentary about judging people based on their appearance. It's likely a lighthearted, satirical observation about societal attitudes towards body size in a relatable situation. In Turkish, the joke could be described in various ways depending on the desired tone: **Option 1 (General):** "Resimde, beden ölçüsü farklı olan iki genç adam görülüyor. Görsel olarak birinin daha büyük olması, toplumsal önyargılar ve beden algısıyla ilgili hafiften bir espriye veya hicivli bir gözleme yol açıyor. Odanın düzensiz ve renkli dekoru, durumun gençlik ve arkadaşlık ilişkisine dayanmasını vurguluyor." (In the picture, there are two young men with different body sizes. The one being larger visually evokes a subtle joke or satirical observation about social biases and body perception. The messy and colorful decor of the room emphasizes the situation to be related to youth and friendship.) **Option 2 (More explicit):** "Resimde beden farkıyla ilgili hafiften bir alaycılık var. Daha büyük bedenli adamla ilgili, beden imajıyla ilgili toplumsal baskılara, alaycı bir yaklaşımla hafifçe değiniliyor." (The picture has a subtle mockery about size difference. There is a light-hearted, mocking approach to the social pressures related to body image, specifically regarding the larger person.) The key is that the joke is not direct. It is more about the visual contrast and the possible interpretations, rather than a clear, spoken remark. Butterfly Effect Evan Treborn doğuştan zihinsel sorunları olan bir çocuktur. Kötü olaylar yaşamış fakat gidip gelen hafızası...

The photo shows a woman, likely from a film or movie, in profile view. She has light blonde hair styled in a 1960s fashion. She's in a room with a deep red wall. Other people are seated in the background. The joke, or at least the context for a potential joke, is not immediately apparent from the image alone. There's nothing inherently funny or humorous about the still image. To understand a joke in this context, a *narrative* or *situation* would be needed. Without knowing the specific scene or movie, any attempt to explain a potential joke would be speculative. Vertigo Bir suçluyu kovalarken çatıdan düşen ortağını kurtaramayan Ferguson’da, olayın ardından yükseklik korkusu başgösterir....

The image shows a person wearing a dark hooded jacket and a white mask with a somewhat sinister or clownish expression. The lighting is low and the background is very dark, focusing attention on the person and mask. It's suggestive of a horror or thriller scene, perhaps a villain or someone mysterious. There isn't a clear joke in the image itself. It's more of a visual representation that could be part of a story or character. To find a joke, we'd need additional context like the surrounding scene or dialogue. **If there were a joke, it might depend on the context:** * **A visual pun:** If the character's actions or the scene's context suggest a specific meaning associated with masks (like hiding something, playing a role), the image might be funny in a subtle way within a larger joke. Without more information, there's no joke to explain in Turkish or any other language. The Purge Amerika’da hükümet, suçların azalması için yılın bir günü bütün suçları serbest meşrulaştırıyor. Bu güne arınma...

The photo shows a highway on a cloudy, likely rainy day. The sky is filled with a thick layer of cumulus clouds, giving a somewhat ominous impression. There are highway signs, utility poles, and trees visible along the roadside. There isn't an obvious joke in the image itself. To find a possible joke, more context is needed. If the image were part of a larger conversation or social media post, the joke would likely be connected to the *appearance* of the weather. A possible (but still speculative) joke in Turkish related to the image might be playing on the phrase: "**Gökyüzü bulutlarla dolu, bugün şansın yok.**" (The sky is full of clouds, you have no luck today). This would imply a connection between a gloomy sky and bad luck. Without more context, it's hard to pinpoint the exact joke. Sakarya’da oluşan mammatus bulutları 📸 https://t.co/ubPDEmEn3v Kaynak

The photo shows four young women, dressed in dark, stylish clothing, carrying a coffin. They appear to be in a cemetery or similar outdoor setting. It's a scene that plays on the idea of a "dark" or "gothic" theme. The joke, likely present in the context of where the photo was used, is a darkly humorous play on the situation. It implies that the women are either: * **Mourning something, but with a twist**: The black outfits and the funeral setting suggest mourning, but the girls' makeup, hairstyles, and general aesthetic aren't overtly sad. It's more like a dramatic, fashionable mourning. A play on "mourning" but without the usual sadness. * **Part of a dark, fashionable ritual**: The clothes and scene evoke a dark, gothic, or even perhaps supernatural theme. The coffin, in this context, could be related to a peculiar event. * **Relating to a TV show or movie**: The image style and particular aesthetic likely come from a show like a "teen vampire/supernatural drama". This picture is designed to imply something specific about the show's tone. **In Turkish:** Resimde, dört genç kadın, koyu renk, şık kıyafetler giyiyorlar ve bir tabut taşıyorlar. Görüntü, bir mezarlıkta veya benzeri açık bir ortamda geçiyor. "Karanlık" veya "gotik" temalarıyla oynanan, karanlık bir mizah oyunudur. Bu durum, muhtemel olarak resim kullanıldığı yerde mevcut olan şakayı şu şekilde açıklıyor: * **Bir şeye, ama bir çeviyle yas tutuyorlar**: Siyah kıyafetler ve cenaze ortamı yas tutmayı çağrıştırıyor, ancak kızların makyajı, saç stilleri ve genel estetik açıkça üzgün değil. Daha çok dramatik, şık bir yas. "Yas" üzerine ancak alışılmış üzüntü olmadan bir oyun. * **Karanlık, şık bir ritüelin parçası**: Giysiler ve sahne, karanlık, gotik veya hatta belki de doğaüstü bir temayı çağrıştırıyor. Tabut, bu bağlamda, tuhaf bir olaya ilişkin olabilir. * **Bir TV dizisi veya filmle bağlantılı**: Görüntü stili ve belirli estetik muhtemelen "genç vampir/doğaüstü drama" gibi bir gösteriden geliyor. Bu resim, dizinin tonu hakkında belirli bir şey ima etmek için tasarlanmıştır. The humour lies in the juxtaposition of the dark and fashionable scene with the traditional funeral imagery. The meaning depends heavily on the specific context where this picture was used. Pretty Little Liars İki kişi bir sırrı, ancak biri ölüyse saklayabilir. Alison'ın gizemli ölümünün ardından geride kalan dört...

The image shows two men, side-by-side, with expressions of surprise or shock. The man on the left has a light brownish-blonde/auburn haircut, is wearing a denim-type jacket, and is looking directly at the viewer with a surprised expression. The man on the right has dark hair and is wearing a light olive green jacket. He is also looking surprised, but his expression is more intense. The background is blurred and has a warm, slightly out-of-focus yellowish-orange tone, suggesting a stage or a brightly lit environment. The joke, if there is one, isn't obvious from the image alone. It relies on context not present in the image itself. A possible interpretation would be a visual pun or a reference to a specific cultural context relating to surprise, perhaps in a comedic way. Without more context (like the scene from a movie or TV show), it's impossible to give a specific and accurate Turkish translation of the joke. Dirk Gently's Holistic Detective Agency Bir otelde belboy olarak çalışan Todd, otelin çatı katındaki odada kalan milyoner...

The image is a movie poster for a Turkish film called "Okul Tırnağı" (School Haircut). It shows two boys, one carrying the other, in a snowy scene. The background is a muted reddish-brown color with falling snow. There's no obvious "joke" in the poster image itself. The scene is likely intended to evoke a feeling of hardship, camaraderie, or perhaps a specific story element related to the movie. A poster's effectiveness often relies on visual cues and viewers' interpretation of the context, not direct humor. Okul Tıraşı https://t.co/i7p7dPV7hP Kaynak

The image shows a woman wearing a niqab (a type of face covering worn by some Muslim women). The image is a juxtaposition, a visual representation of a social issue, likely referencing the constraints placed on women in some cultures by tradition or religious practices. A joke in this context wouldn't be obvious without additional context, but it's probably a play on the concept of hiding a person's identity or perspective, implying a restriction or forced silence on women's voices and opinions. The niqab itself is symbolic of the debate surrounding women's rights and personal freedoms. A potential joke could be: **Possible Turkish Joke (with implied meaning):** * "Niqabın ardına saklanan sır nedir?" (What secret is hidden behind the niqab?) This question implies that there's something hidden or being suppressed by the niqab, evoking the broader debate and questioning the social restrictions on women's lives. It's not a joke that makes light of the situation, but rather points out the inherent social commentary present in the image. Without a specific caption or conversation accompanying the picture, it's impossible to give a precise, intended joke. Caliphate Gerçek olaylardan esinlenilen dizide bir ajan olan Fatima, İsveç'te yaşanacağı söylenen bir terör olayını...

The photo shows two people, a woman with long blonde hair and a man with a darker complexion. They are dressed in dark-colored outerwear, and there's a bridge in the background. There's no readily apparent joke in the image itself. It's simply a picture of two people. Therefore, there's no joke to explain in Turkish. Broen Danimarka ve İsveç’i birbirine bağlayan Öresund Köprüsü‘nde elektrikler 48 saniyeliğine birdenbire kesiliverir....

The photo shows a man (presumably a character from a movie or TV show) sitting in the driver's seat of a yellow taxi cab at night. He's looking somewhat worried or apprehensive. The lighting is somewhat dramatic and somewhat bluish. There's no readily apparent joke in the image itself. The humor would come from the *context* of the scene—a movie/show scene likely depicting a suspenseful or perhaps comedic moment. Without knowing the specific context of the scene, it's impossible to translate a joke into Turkish. The visual alone doesn't contain a joke. The Night Of 'The Night Of' New York'ta yaşanan, karmaşık bir hikayeye sahip hayali bir cinayet davasının derinlemesine...

Resimde, İspanyol futbolcu Iker Casillas'ın bir tweet'i ve onun fotoğrafı görülüyor. Tweet'te Casillas, "Artık aşka inanmıyorum. Aşık olmak pişmanlıktır, soytarılıktır, rezilliktir, saçmalıktır" demiş. Bu, aşkın olumsuz yanlarını vurgulayan, biraz da ironik bir ifade. Tweet'in altındaki metin, "devlet bahçelinin sesiyle yüksele yüksele okuyunca çok derin oluyo bu söz" şeklinde. Bu kısım, tweet'in alt metni olarak bir metafor kullanarak, aşırıya kaçmış, büyük konuşan birinin söylediği lafın derinliği ve belki de boşluğu üzerine gönderme yapıyor. Casillas'ın sözleri çok ağır ve güçlü bir şekilde ifade edildiği için, durumun ironisi daha da belirginleşiyor. Sonuç olarak, şaka, Iker Casillas'ın sözlerinin ağır ve büyük konuşan birinin söylediği, ama belki de boş, derinsiz bir söz olduğu üzerine kurulu. İfade, aşırıya kaçma ve ironi üzerine kurulu bir mizah anlayışını yansıtıyor.

The image is a poster for a horror-themed movie or TV series, likely a story about a haunted house. The poster's design is a collage-style. * **Top Half:** A large, imposing, and slightly creepy-looking house is depicted against a dark, moody backdrop. It appears to be situated in a rural setting, with hills or mountains in the background. A group of people are standing outside the house, suggesting a possible story of people being affected by the house. * **Bottom Half:** A close-up of a woman's face, appears to be in distress, crying. Her face is partially covering the image of the house and people. The joke, implied by the design, is a play on the concept of fear or dread, and how it can affect people. It's a visual pun/analogy about how a scary house can "affect" or "haunt" someone to a point where they start crying. It's not a literal joke but rather a thematic connection. In Turkish: Resim, muhtemelen bir korku filmi veya dizisinin afişidir. Afişin tasarımı, bir kolaj tarzındadır. * **Üst Yarı:** Büyük, etkileyici ve hafif ürkütücü bir görünümlü ev, karanlık ve durgun bir arka plan üzerinde tasvir edilmiştir. Görünüşe göre kırsal bir ortamda, arka planda tepeler veya dağlar bulunmaktadır. Evden uzakta bir grup insan duruyor, evin insanları etkilemekle ilgili olası bir hikayeyi gösteriyor. * **Alt Yarı:** Bir kadının yüzünün yakın çekimi, acı çekiyor, ağlıyor gibi görünüyor. Yüzü, evin ve insanların görüntüsünü kısmen kaplıyor. Resmin anlamı, korku veya dehşet kavramının ve bunların insanları nasıl etkileyebileceğinin bir oyunudur. Görsel bir gönderme/benzetmedir; korkutucu bir evin, insanları ağlama noktasına getirecek kadar etkileyebileceği veya "hayaletleştirebileceği" hakkında. Bu, tam anlamıyla bir şaka değil, tematik bir bağlantıdır. The Haunting of Hill House Bir arada büyüyüp yolları ayrılan 5 kardeş, yaşanan bir trajedinin ardından yeninden bir araya...

The photo shows Elliot Alderson, a character from the TV series "Mr. Robot". He's wearing a dark hoodie, and the background is a city street scene with other people. The joke, as implied by the image, is a visual pun. Elliot, known for his reclusiveness and often melancholic demeanor in the series, is often associated with a detached or "hacker" persona. The simple act of him being in a public place, with a hoodie pulled up, creates a humorous contrast to the persona viewers are already familiar with. In Turkish, a joke can be expressed like this: **"Mr. Robot'un Elliot'ı bile, kalabalıkta saklanacak bir yer arıyor!"** (Even Elliot from Mr. Robot is looking for a place to hide in the crowd!) This translates the visual humor of the image into a humorous observation about his character's usual demeanor. The wordplay suggests that even a character known for his secretive and anti-social tendencies finds crowds overwhelming. Mr. Robot Elliot, gündüzleri bir siber güvenlik şirketinde çalışan sıradan bir programcı, geceleri ise siber intikam peşinde...

The photo is a movie poster for the film "Benedetta". It features a close-up of a woman's face and upper body, wearing a white garment that suggests a religious habit. The movie title, "Benedetta," is large and prominent, along with the names of the actors. There's also information about the film's director (Paul Verhoeven) and Cannes Film Festival selection. There is no joke in the image itself. The poster is simply promoting a movie. The image is a movie poster for "The French Dispatch". It features a teal/turquoise background with large, stylized, light-brown letters spelling out the movie title "THE FRENCH DISPATCH". The letters are reminiscent of old-style marquee lights. Below the title, there's a tagline: "BRILLIANT... A BRAKELESS FREEWHEEL THROUGH A TEEMING BAZAAR". The poster is further filled with a large collage of many characters. These figures appear to be dressed in period costumes, from various eras, and are depicted in a lively, busy scene. The joke, or the intended humorous aspect, is in the visual overload and the clash of styles and eras represented by the densely packed characters and costumes. The poster creates an impression of a chaotic yet oddly charming scene, capturing a moment in time, probably from a historical drama. It plays on the concept of historical figures or characters. **Turkish Translation of the joke/implication:** Bu poster, "Fransız Göndergesi" filminin karmaşık ve hareketli bir ortamını, çok sayıda karakterin farklı zamanlardan ve stillerden giyindiği bir toplulukla göstererek mizah yaratıyor. Büyük bir kalabalığın ve zamanların çarpışmasının izlenimi, sanki tarihi bir olayı ya da karakterleri yansıtıyor. Bu görüntü ve karmaşa, kaotik, ama büyüleyici bir anı yakalamaya çalışıyor; ve bu kafa karışıklığı filmin konusu hakkındaki merak ve ilgiyi çekmek için kullanılıyor. The image is a movie poster for the film "Last Night in Soho." It features several characters, predominantly women, in a vibrant, stylized, and somewhat unsettling visual style, with neon lighting and a vintage/retro feel. The title "Last Night in Soho" is prominently displayed in neon green lettering. There isn't a readily apparent "joke" in the image itself, but rather a visual theme of a mysterious, potentially unsettling or psychological movie, which is typical of many movie posters. The movie itself is likely about time travel, a young woman who goes to the past to be a performer, or some such mystery involving fashion, maybe. In Turkish, there isn't a specific "joke" to explain, but you could describe the overall visual style of the poster and the potential themes it suggests. For example, you could say something like: "Bu film afişinde, Soho'daki son geceyi anlatan bir film, 1960'lar temalı, görsel olarak canlı ve gizemli bir atmosfer yansıtıyor. Kadın karakterlerin giysileri ve aydınlatma tarzı filmin ruh halini vurgulamakta ve izleyiciyi karanlık ve belki de psikolojik bir hikaye bekliyor." (This movie poster for "Last Night in Soho" depicts a 1960s-themed film with a vibrant and mysterious atmosphere. The clothing and lighting style of the female characters emphasize the film's mood and suggest the audience is in for a dark, perhaps psychological story.) Or, a more general way to describe the visual: "Sonbahar akşamı Soho'da bir film afişi, renklerin ve ışık oyunlarının gizemli bir atmosfer oluşturduğu bir film duyurusu." (A movie poster for a film set in Soho at night, showcasing a mysterious atmosphere created by the use of color and light play.) The image is a movie poster for the film "The Tragedy of Macbeth" directed by Joel Coen, starring Denzel Washington and Frances McDormand. The poster uses a stylized, graphic design with a black silhouette of a figure, reminiscent of a tribal mask or a stylized human head, against a cream-colored background. Red blood drips from the figure. The title is in a large, bold font, and the credits for the film are also present. There isn't a joke in the image itself, it's a serious movie poster. The poster is visually arresting and likely meant to evoke a sense of the grimness and intrigue of the play/film. There's no humor or pun in the poster's design or text. Benedetta The French Dispatch Last Night in Soho The Tragedy of Macbeth https://t.co/E8McJEhoTm Kaynak

The photo shows a person, likely from a horror movie or similar genre, wearing a ragged, bandage-like covering over their face and hands, as if their face is wrapped in bandages. Their clothing is dark and appears worn. They are in a wooded area. The joke, implied rather than explicitly stated in the image, is about the person's appearance. The way the person is covering their face and eyes, making them look like they are peering out of a dark, bandaged mask, is humorous in a macabre way because it is reminiscent of a comical, exaggerated way of looking out. In Turkish, a possible way to describe the joke would be: **"Bu görüntü, korku filmlerindeki maskelerin abartılı bir yorumu olarak komik bir etki yaratıyor. Bandajlı yüz ve gözlerin arkasından gizlice bakışı, izleyiciyi hem ürkütüyor hem de gülümsettiriyor."** (This image creates a comical effect as an exaggerated interpretation of horror movie masks. The secret gaze from behind the bandaged face and eyes is both frightening and makes the viewer smile.) Or, a simpler option: **"Bandajlı yüzüyle, korkutucu görünümüyle gizlice bakış atma hali oldukça komik ve ürkütücü."** (The secret gaze through the bandaged face, while frightening, is quite comical.) The humor comes from the contrast between the unsettling appearance (the horror element) and the comical way the person is looking and presenting themselves. Suç Zamanı Kırsaldaki evinin yakınındaki ağaçları izleyen bir adam, çıplak bir kız ve yüzü bandajlarla sarılı, onu izleyen...

The photo shows a group of people, likely actors from a TV show. They are posed for a promotional image, smiling and looking at the camera. The actors are dressed in casual but stylish clothing. The joke, in this context, is not obvious from the picture alone. It's likely a reference to a specific TV show, or a broader cultural reference involving the characters, that would be necessary to understand the humor. Without more information about the TV show, the joke is impossible to translate and explain in Turkish. A similar image of the "cast" of a sitcom, for example, might lead to a joke about their personalities, a plotline of the show, or a humorous moment in the show itself. To understand the humor, you'd need more context about the source of the image, like the show's name or other details. This Is Us This Is Us, aynı gün doğan bir grup insanın hayat hikayelerini ekrana taşıyor. https://t.co/D7novCLKcp Kaynak

The photo shows a person using a cordless, upright Dyson-style vacuum cleaner to clean a carpeted floor. The floor has visible debris, and the vacuum cleaner is in the process of picking it up. The joke, if there is one, isn't in the picture itself but might be based on the implied notion of a person struggling with a *lot* of dirt. A possible implied joke, which might be lost in translation without context, is that the amount of debris needing cleaning is so significant, it could be interpreted as a metaphor for a difficult situation. Turkish translation of potential joke implication (without specific context) There is no clear joke in the image. If there was a joke, it might relate to the effort or struggle of cleaning a significant amount of dirt, implying something else is also difficult/overwhelming. A simple interpretation would be that it's simply a picture of someone cleaning. Without more information about the context of the image, this is as much as can be said. Dyson süpürge indirimli fiyattan tekrar stokta. Linki aşağıda👇🏻 https://t.co/22LZqYn9VT Kaynak